Monthly Archives: January 2013

How often should you change the strings on your banjo, guitar, mandolin etc?

We are often asked the question ‘How often should I change my Strings’?
In the following notes, Eagle Music  gives examples of how strings are affected by different players and how they react to usage. How strings ‘work’ and the frequency that you should change them.

There are many answers to this question and it all depends on the player. A professional player who works his strings hard, may change strings for every performance to insure against string breakage during a live performance. A general rule for all players, is to change your strings when they have lost their tone and tune-ability.

Strings have a different tolerance to each individual player. Some players have dry hands and can make their strings last longer, and some players have ‘rusty fingers’ that corrode strings fairly quickly. It’s all relative to how much acid and skin debris you deposit on your strings from your fingers.

The strings are a ‘disposable’ part on your banjo and relatively inexpensive. They greatly affect the tuning, tone, power and projection of your banjo. A new set of strings can transform your instrument and the enjoyment that you will get from it.

Here are some notes for your consideration:

  • New strings are brighter with better tone and volume
  • New strings tune easily
  • Some players like their strings to be ‘played in’ for a week or so, at which time the tone mellows
  • Old ‘dying’ strings are difficult to tune, have poor tone and volume
  • Low cost ‘budget’ strings wear out and die quickly
  • Nickel strings are bright and metallic
  • Phosphor bronze strings have a warmer tone
  • Nickel wound strings last longer than phosphor bronze wound and are less reactive to players who have ‘rusty fingers’

String cleaners eg. Fast-Fret and Kyser prolong string life and keep strings brighter for longer – Use before and after each playing session.

Coated strings eg. Elixir last longer but some players don’t like the ‘feel’ of the coating.

Changing the strings on your Banjo, Mandolin, Guitar, Ukulele etc – advice from Eagle Music

Eagle Music explains here all the do’s and don’ts when fitting a new set of strings to your instrument. It is important that you understand that the weight, size and tension of your strings affects the set-up and action of your instrument.

First, I offer you this simple advice, invest in a string winder. A string winder will take all the work out of string changing and as an added bonus it will speed up the process! I insist that string winders are used at all times in our workshop, this ensures that our customers get a lower priced bill when it comes to the cost of paying for workshop time!

In the following notes, I shall assume that you are a right handed person, and that you are going to change the strings and then tune your instrument to standard tuning. The string set that we are using in the example is our most popular standard Eagle-Puretone set as follows, 1st also referred to as the ‘top’ -string is the furthest away from your chin when holding your instrument in the playing position. (If your instrument is part of the mandolin family, you will have a pair of 1st strings) The ‘bottom string’ is the string that is nearest your chin.

The string numbers eg.’9’ or ‘12’ refer to the diameter of the strings and they are measured in imperial measurement, which is used by the USA manufacturers (Not Metric) a ‘9’ for example measures .009” (which is nine thousandth’s of an inch in diameter)

Also take note before changing your strings what gauge of string set is already on your instrument, if your instrument is correctly set-up, the nut will have been cut to suit the gauge of strings that are already on your instrument. Changing up to heavier strings, without having your top nut cut to suit, can cause the thicker strings to bind in the nut. Slight binding can be cured by rubbing a little graphite into the slot (an HB graphite pencil or softer is fine)

Remove your Old strings

Please Note: Your instrument is ‘SET UP’ under tension, so it is a good idea when string changing, not to take all your strings off at the same time. Change one at a time. Slacken off your 1st string and unwind it from the capstan/pillar on your tuning peg, then remove the string from the tailpiece or bridge saddle.

Attach the new string to the tailpiece or bridge saddle, note from the remaining old strings that are still on your instrument, how the strings fit to your tailpiece or bridge. For example: Tailpieces on banjos come in many designs and on some tailpieces the string lays across the top/front of the tailpiece.

Hold some tension on the string to keep it attached to the tailpiece/bridge, as you lay it along your fingerboard and feed it through the hole in the pillar on your tuning peg, pull the string through the pillar with your left hand until there is no ‘slack’ on the string. Keep tension on the string with your left hand. Some of this excess that is now pulled through your pillar will be ‘cut off’ when you have tuned the string to its correct pitch.

At this stage you need to give yourself some ‘slack’ on the string, this ‘slack’ will allow you to put at last three turns around the pillar/capstan on your tuning peg. To do this, keep hold of the string with your left hand pull tension on the string. Then place your right hand index, middle and ring fingers behind the string near the pillar with the back of your fingers touching the instrument and ‘clamp’ the string against your fingers with your right hand thumb. Still holding tension on the string with your left hand, transfer your grip to hold the tension of the string now with your right hand.

Turn your right hand approximately ninety degrees with your index finger remaining in contact with your instrument, this action will pull some ‘slack’ back through the pillar. At this point ‘kink’ the string to ‘dog-leg’ the string as it enters and leaves the hole in the pillar, now in the same motion wind the string around the pillar to take up some of the ‘slack’ that you are holding in your right hand. Note the direction that the string winds around the pillar. It will be wound in the same direction as the old SECOND string that is still attached to your instrument. (Anti clockwise, assuming that the old string was fitted correctly!)

Tuning the 1st String

Carrying on from iii. above and still holding tension on the string with your right hand to keep it attached to the tailpiece, move you left hand to the tuning peg button and start to wind tension onto the string. At this point note that the string is located in its groove in the nut of your instrument, also that you are turning the tuning peg in the correct direction …you can see the pillar rotating as you wind the tuner peg. Carry on turning the tuner button until you take up all the ‘slack’ from your right hand. Then continue to ‘tune’ the 1st string to pitch. A clip-on electronic tuner is very useful for this operation, also to speed up the operation, use of a ‘string winder’ which is very helpful. At this stage you can ‘cut off’ the excess from the string …always tune your string BEFORE cutting off the excess. A small pair of wire cutters is a handy tool to have in your instrument bag, or you may want to invest in a state-of-the-art ‘string speed winder’ that has a pair of clippers on the end of the winder. For neatness, clip the string close to the pillar leaving approximately 6mm (¼”) Angle the remaining part of the string towards the neck face to avoid spiking yourself, but ensure that it does not touch the face of the neck which can scratch the finish when it is being wound.

Fitting and Tuning the 2nd, 3rd 4th etc. Strings

Fit the 2nd string using the same method as the first string and tune it to pitch. Fit the 3rd string in a similar way and tune it to pitch. Note that it winds around the pillar in the correct direction. Then fit the wound 4th string and tune it to pitch. Note also that the fourth string winds around the pillar in the correct direction. Carry on with the remainder of your strings with the same method. NOTE: NEVER cut the excess off a wound string before it is tuned to pitch, doing so can cause the string to unwind and loosen it’s winding along the length of the string.

5-string Banjos Only:-

Fitting and tuning the 5th or Octave String

The fifth or ‘octave’ string is attached to the tailpiece in the same manner as your other four strings, but it will have a guide on the neck of your banjo, it may also have a plastic ‘sleeve’ that fits onto the string to protect the side of your banjo neck. Take note of such things when you remove your old 5th string. Again ensure that you give it enough ‘slack’ when fitting to allow at least three turns around the pillar of the tuner button. The fifth string is tuned to high ‘G’ which is an octave above your 3rd ‘G’ string.

I have written these notes as simply as I could to help the beginner. I have tried my best to write down and explain the way that I change my own instrument strings! String changing is very much a ‘knack’ and I am certain that you will develop your own ‘knack’ of changing your strings based on the above notes.

Banjo Care & Maintenance – Looking after your Banjo

We are often asked how do I look after my banjo?  and how do I clean it?
Here Eagle Music answers in simple terms the important do’s and don’ts regarding general care of your banjo, storing, cleaning and transporting your banjo safely.

Eagle Music Shop has a fully equipped on-site workshop facility and offers a full set-up and repair service for stringed instruments.

Storing

In general musical instruments like the same environment as their player, they need conditions where it is not too hot or hot and certainly not wet or damp!
keep your instrument clean and free from dust, dirt and moisture. In a UK home, its OK to leave your instrument on a stand between playing sessions, in fact we encourage this as it makes you pick up the instrument more frequently to play and practise. Buy a decent quality stand to keep your instrument ‘out of the way’ in a corner of the room. Never leave it near a radiator or in a window where direct sunlight can fall upon the instrument and bake it! Also, never leave your banjo stored in a cold or damp place eg. cellar, loft or out in the garage!

Cleaning

Each time you have played your instrument give it a wipe over with a lint free cloth to remove finger marks. the strings can be cleaned with Fast Fret, martin or Dr Kyser string cleaning lubricant.All these care products can be bought ‘off-the-shelf’ from Eagle Music. From time to time you may want to polish your instrument, always check that this is suitable for the finish on your instrument eg. On a modern gloss finish, always choose a non-smear wax free polish. Always remove finger and body marks from Nickel plated or gold plated hardware and use the special impregnated cleaning cloths that are available for this purpose. Never use abrasive cleaners as this can remove the plating! Chrome hardware is much easier to keep clean and is much harder wearing.

Transporting

Care of your instrument during transportation really depends on where it is being transported to, and how it is being transported. Hard-shell cases and Gig bags have their pros and cons. It can be said that a padded gig bag is sufficient to take your instrument out to the pub or a jam session.But please note:- when using a gig bag, you must always remember that your instrument can still be damaged if you don’t take extreme care of how you handle it, how you put it down and where you leave it as other persons can sit on your gig bag! Also, If you are a gigging musician, It wouldn’t be a good idea to put your gig bag and instrument in the back of a van or in the boot of a car with PA gear and other hard objects! We recommend a hard-shell case always for gigging musicians. If you’re traveling by air we recommend a hard-shell or even better a flight case. Also, for added protection its a good idea to ‘bubble wrap’ your hard-shell case before letting it go in the hold of an airplane, the handling of baggage at airports can be very rough! Our Hiscox range of lite-flight cases is excellent or you could have a more expensive flight case made by Keith Calton.

Check out our Black-Ice and Extreme Protection range of well thought out quality gig bags. For hard-shell cases check out our Leader, Hiscox, Deering, TKL, Original and Kinsman etc. range of top quality brands.

Plectrums, Flat Picks, Finger and Thumb Picks – a guide by Eagle Music

These are some of the brands of Flatpicks, Finger & Thumb Picks  that we supply. ProPik, Steve Clayton, Fred Kelly, Perfect Touch, Jim Dunlop. Eagle Music explains their popular uses, how to choose them and things you need to know about them.

Plectrums also Called Flatpicks

Plectrums or flat picks as they are also called, are the most popular ‘tools’ for striking your strings on your instrument, and enable you to pick the strings on your instrument without any wear or tear on your fingers or nails!

Most ‘plectrum players’ experiment with different shapes, thicknesses and materials. EG. Nylon picks give a softer sound, the harder the pick the “chunkier” the sound. Remember this brief note: the closer you pick to the bridge, the harder the sound. The further you pick from the bridge, the mellower the sound.
The “old masters” prefered to use a tortoise shell plectrum: I prefer to see the shells on the backs of the tortoises!

Fingerpicks

Finger picks likewise come in all shapes, sizes  and forms. Nylon/plastic finger picks give a softer sound the harder the pick the “chunkier” the sound. Remember this brief note: the closer you pick to the bridge, the harder the sound. The further you pick from the bridge, the mellower the sound. eg. bluegrass banjo players would always choose metal finger picks which give them precise attack and increased volume.

Size of Finger Picks

Something to note is that in most cases you don’t choose finger picks by ‘size’ you choose them by ‘thickness’ they are available in different blade thicknesses and in some cases different angles on the blade, but regarding the size .. you can open them out or bend and mold them to fit smaller fingers.
Again, experiment with different types.

Thumbpicks

Thumb picks likewise come in all shapes, sizes  and forms. The plastic and vinyl types are kinder to your strings than metal ones. Nylon thumb picks give a softer sound, the harder the thumbpick the “chunkier” the sound. Remember this brief note: the closer you pick to the bridge, the harder the sound. The further you pick from the bridge, the mellower the sound. Again, experiment with different materials and designs until you find the one that suits you best.

Banjo Seven 2013 with Deerings & Kruger Brothers

Dear Friends,

It’s getting closer to the Banjo Seven event on October 26th 2013. We’re still fine tuning the order of the day, but here’s the latest update on how to buy tickets, location of the event and draft timetable. On the day we can all congratulate Jens on winning the Steve Martin prize 2013 for excellence in Banjo and Bluegrass Music! Click here for more Steve Martin 2013 award for excellence in Banjo and Bluegrass Music.

The event is taking place at:

The North Light (Just behind Eagle Music Shop)
Brooke’s Mill
Armitage Bridge
Huddersfield
HD4 7NR

Please Click on This Link to Buy Tickets for the Banjo Seven Event

Itinerary for the Banjo Seven event – Saturday 26th October 2013
10:30 am    Doors Open at the North Light Gallery
All Day     Eagle Music trade stand with special discount Banjo Seven prices
10:30 – 11:30 am    Complimentary Tea and Coffee – Meet the artists and the banjo makers
12:00 pm    Greg, Janet and Jamie Deering – Welcome everyone to the event – Banjo set-up advice provided throughout the day with Greg Deering
12:30 pm     Joe Mac and The Old Grey Dogs – ‘Kick Start’ the day with an on stage sing and play along
1:00 – 1:30 pm    Rob MacKillop – On stage 4 String Plectrum Banjo Demonstration
2:00 pm    The Kruger Brothers with Josh Day – On stage Performance Workshop
3:00 pm    Group Performance with The Kruger Brothers of ‘Turkey in the Straw’ (in the key of ‘G’ ) bring along your banjo or other instrument to join in the fun!! (This part of the event will be filmed and posted on YouTube)
3:30 pm    Chris Cooper – Bluegrass Banjo Techniques
4:30 pm    The Kentucky Cow Tippers – On Stage Performance
6:00 pm     Doors to main event Room Close
6:00 – 7:00 pm    Joe Mac and The Old Grey Dogs – Jam session in the café area.
7:00 pm    Doors re-open for the evening event
7:30 pm    The Down County Boys – On Stage Performance
8:30 pm    Interval and Raffle Draw with fantastic prizes!
9:00 pm    The Kruger Brothers in Concert
10:30 pm (ish)    Finish
11:00 pm    Doors Close

We are excited to announce the ‘Banjo Seven’ event at Eagle Music, taking place at the North Light Gallery, Huddersfield on Saturday October 26th 2013 with special guests Greg, Janet & Jamie Deering and world class performances from The Kruger Brothers, Down County Boys, Kentucky Cow Tippers, Old Grey Dogs and much more throughout the day.

This will be the The Magnificent Seventh Event at Eagle Music with Deering Banjos following our hugely successful 2007, 2008, 2009, 2010 Banjo ‘1000’, Banjo ‘5’ 2011 and Banjo ‘2012’ showcase events here at Eagle Music Shop.

Audience Banjo 2012

Audience Banjo 2012

This year we are most proud to be celebrating our Magnificent Seventh Consecutive Year as the World’s Number One Dealership for the USA Deering Banjo Company.

Please join us at our Banjo Seven Event, where you will have the opportunity to personally meet Seven of the USA’s greatest icons in the banjo and American music world  The Magnificent Seven …Greg Deering, Janet Deering, Jamie Deering, Jens Kruger ‘Banjo’, Uwe Kruger ‘Guitar’, Joel Landsberg ‘Bass’ and Josh Day ‘Percussion’.

The Kruger Brothers with Josh Day on Mountain Song Miami Cruise Ship 2013

The Kruger Brothers with Josh Day on Mountain Song Miami Cruise Ship 2013

We are looking forward to another fantastic day of music, jam sessions, on-stage afternoon workshops and an on-stage evening concert performance from the world renowned Kruger Brothers. supported by The Down County Boys. Also an opportunity to browse what will be probably be the largest selection of banjos ever to be displayed for public viewing in the world!

The Down County Boys

The Down County Boys

 

The Kentucky Cow Tippers

The Kentucky Cow Tippers

Old Grey Dogs

Old Grey Dogs

Greg and Janet Deering founded the Deering Banjo Company over thirty years ago, a company that is now considered by the world’s greatest exponents of the banjo to be ‘The Worlds Greatest American Banjo Company’.
Jens Kruger the ‘Carolina King’ is without question one of the greatest five-string banjo players of all times. Uwe Kruger is a master Guitarist / vocalist and Joel Landsberg is one of the finest Bass players in the business. We are proud to bring over for you this year Josh Day on percussion …Josh played percussion on the Kruger Brothers Forever and a Day album. The Kruger Brothers now living in North Carolina, USA, are the hottest USA based band, having taken the world bluegrass and folk scene by storm for almost the past two decades.

The Kruger Brothers will play our on sight venue ‘The North Light Gallery’ on Saturday afternoon for an On-stage-Workshop and an evening Showcase Concert on October 26th as part of their official 2013 European tour.

Our special guests, Greg, Janet & Jamie Deering will give an on stage afternoon workshop on ‘Banjo Set Up Tips’ and give a brief history of the success of the world class Deering Banjo Company. Greg & Janet will also be available to check out your personal banjo. As always, Greg will have his ‘banjo magic’ tool box on hand throughout the day!

Jamie Deering, William Moore, Janet and Greg Deering

Jamie Deering, William Moore, Janet and Greg Deering

We look forward to seeing you here,

from

Steve, Rachel  and the Eagle Music Team

Please click here to see pictures of last year’s Banjo ‘2012’ event

Ticket Details for ‘Banjo Seven’

Tickets can be purchased as follows:-

• At Eagle Music Shop, call +44 (0)1484 661460

• At www.eaglemusicshop.com

• Or send a cheque or PO to Eagle Music Shop

If you have paid for a ticket online, simply give your name at the door

on the day. Your numbered ticket will be checked on the list and you

will be given your ticket for the event.

Ticket Prices

•Daytime Only – 10.30am until 6.00pm – £15.00

• Evening Only – Doors Open 7.00pm until Close ‘The Krüger Brothers in Concert’ – £30.00

• Full Day and ‘Kruger Brothers Concert Ticket’ -10.30am until Close – £38.00

Full Timetable for the event – to be announced

Musical Instrument Strings – everything you need to know

Eagle Music is the ‘Pickers Paradise’. Our range of strings is world class including Eagle-Puretone, D ‘Addario, Martin, Elixir etc. We explain all the different types and ‘how to change strings’ and ‘when to change your instruments strings’.

All the different type of string gives a different sound and “feel” to your instrument. Experiment with all aspects to find your preferred tone and volume, but remember this brief note: thinner steel and nickel strings will give you more “clang” and “twang”, heavier wound bronze or phosphor bronze will produce a “warmer” sound with more body.

Strings come in many different materials …including high tensile Steel Unwound Plains,  Phosphor Bronze Wound, Nickel Steel Wound, Stainless Steel Wound, Bronze and Brass Mix Wound (80/20) etc. Nylon, and Nylgut etc.

Strings come in many different size gauges  and are measured in Imperial measurement (not metric) The string numbers eg. ‘9’ or ‘12’ refer to the diameter of the strings and they are measured in old imperial measurement, which is used by the USA manufacturers (Not Metric) a ‘9’ for example measures .009” (which is nine thousandth’s of an inch in diameter)
Strings come in ‘Ball End’, ‘Loop End’ and ‘Tie on’

It is important that you check and buy the correct gauge of strings before re stringing your instrument. The gauge and Weight of your strings affects the action and set-up of your instrument.

Each of the different type of string gives a different sound and “feel” to your instrument. Experiment with all aspects to find your preferred tone and volume, but remember this brief note: thinner steel and nickel strings will give you more “clang” and “twang”, heavier wound bronze or phosphor bronze will produce a “warmer” sound with more body.

Note that Eagle-Puretone custom gauge sets can be made up At Eagle Music at no extra cost.

Last but not least, the position that you strike your strings, what you strike them with and the pressure that YOU exert as you play, accounts for much of your instruments tone and volume.

We are also often asked How often should you change the strings on your banjo, guitar, mandolin etc?