Category Archives: Banjo

Eagle music blog articles relating to the banjo.

Jens Kruger awarded prize for Excellence in Banjo and Bluegrass Music

Jens Kruger, the banjo maestro has recently been awarded the Steve Martin 2013 award for excellence in Banjo and Bluegrass Music.

Please click on this link for more details: Steve Martin 2013 award for excellence in Banjo and Bluegrass Music.

No one could deserve this award more! Along with the Kruger Brothers, Jens has visited us each year for the past six years and performed in showcase events here at Eagle Music. I have to say that In the times that I have met up with Jens, I have found and also seen him not only to be a great musician and maestro player of the banjo, but a wonderful human being, always finding time and showing interest in others. It’s been wonderful that he came into my musical life and that I have been touched by his music.

Jens Kruger

Jens plays a Deering Tenbrooks Jens Kruger Signature model banjo.

We are so looking forward to October 26th 2013 and having Jens here again with us for the Banjo Seven event along with the Kruger Brothers and a line up of other fantastic bands and fine musicians.

We’re looking forward to seeing you all here on the 26th

Steve and The Eagle Music Team

Mumford & Sons invite Eagle Music Shop with Deering Banjos to their Gentlemen of the Road festival in Lewes; banjos and banjo lessons will be on hand for Mumford fans

We announce that a team of our banjo specialists will be giving free banjo lessons at the Mumford & Sons Gentlemen of the Road Stopover festival in Lewes, England on Friday and Saturday, 19th and 20th July 2013.

As the UK and Europe’s award winning Banjo specialist shop, we’re delighted with this prestigious invitation by Mumford & Sons to unlock the secrets of the banjo to their fans. The event is sold out, 25,000 fans are expected to attend this special Mumford & Sons Gentlemen of the Road Stopover. Eagle Music will be accompanied by Jamie Deering, artist relations manager from the Deering Banjo Company, California, USA.

We feel honoured to be invited to attend this event and have the opportunity to meet some of Mumford & Sons fans and show them how easy it can be to start playing the banjo. A wonderful feature of the 5 string banjo is that it is tuned to a ‘G’ chord, which means you can produce music by just brushing a finger across the strings, then using just one finger on the opposite hand, you can play music!

The Deering Banjos Featuring Mumford & Sons

 

We shall be teaching the Mumford fans using the Deering DVD ‘Learn to Play the Banjo with Just 2 Fingers’. We love the banjo and as musicians we try to put back into music more than we take out. One of our company aims is to introduce as many people as we can to the wonder and joy of playing the banjo.

Eagle Music enjoys a close working relationship with Deering, the Great American Banjo Company who are the makers of Winston Marshall’s Eagle II 5-string banjo that he plays in concerts throughout the world. Winston’s Eagle II banjo is fitted with the revolutionary electro acoustic Kavanjo banjo pickup.

The Eagle II Banjo Described in Deering Catalogue

The Eagle II Banjo Described in Deering Catalogue

 

The Eagle II banjo was given its name in appreciation of Eagle Music Shop maintaining the status of the World’s #1 Deering banjo dealership which they have retained now for almost a decade. The Serial #0001, first off the production line Eagle II Banjo was presented to Eagle Music’s founder Steve Noon, by Greg and Janet Deering at Eagle’s ‘Banjo 1000’ event on March 20th 2010 in celebration of Eagle Music’s worldwide sales of over one thousand Deering Banjos.

Steve Noon presented with Deering Eagle II banjo

Steve Noon presented with Serial #0001 Deering Eagle II Banjo by Greg & Janet Deering

Matt Chaffer, one of Eagle Music’s banjo teachers who will be teaching Mumford fans how to play the banjo at the event commented. Eagle Music will be loaning a Deering Goodtime banjo to anyone interested in taking a lesson to play the banjo, we shall also have on display the Eagle II banjo as played by Winston Marshall and also some Deering Sierra professional bluegrass banjos as played by Matt and many other professional banjo players throughout the world. We shall also have in our teaching booth banjo spares and accessories for any of the fans that may need them at the festival.

Emerging from West London, the folk rock band Mumford & Sons were formed in December 2007, since that date they have taken the world by storm producing world number one hit singles and had a number of award nominations including winning the Grammy Award for ‘Babel’ the album of the year in 2013, also in 2013 they won a Brit Award for the Best British Group. A unique feature of the band is that Winston Marshall is a banjo player.

The band consists of Marcus Mumford (lead vocals, guitar, drums, mandolin), Ben Lovett (vocals, keyboards, accordion, drums), Winston Marshall (vocals, banjo, guitar, resonator guitar), and Ted Dwane (vocals, string bass, drums, guitar).

Mumford & Sons present their Gentlemen of the Road Stopovers which are a global series of events in small cities and towns around the world. To quote the Mumfords “The spirit of the event is a music festival that celebrates local people, food and culture, where everyone pitches in and everybody gets something back”.

Winston Marshall with his Eagle II Banjo

Winston Marshall with his Eagle II Banjo

For more details of the 2013 Mumford & Sons Gentlemen of the Road Stopovers, please follow this link http://www.gentlemenoftheroad.com/stopovers/

Company information:

Eagle Music is established as the UK and Europe’s largest acoustic stringed instrument specialist and banjo shop. The Huddersfield based company is the select dealership for Mainland USA and Ohana Ukes. Eagle are the world’s number one dealership for the Deering Banjo Co. USA. The selected Premier banjo shop for OME, Prucha, Stelling and Gold Tone. Eagle are presently and have also been the officially appointed UK main dealership for Nechville Heli-Mount Banjos for the past five years.

Eagle Music Banjo Team Picture

Eagle Music Banjo Team Picture

Musician and founder Steve Noon has celebrated more than 40 years in the musical instrument business both as a professional banjo, mandolin, guitar and ukulele player. He is the present folk instrument consultant for The Tanglewood Guitar Company and a prolific collector and respected UK authority on vintage banjos and acoustic stringed instruments.

For Deering Banjos visit http://www.eaglemusicshop.com

Contact:

enquiries[at]eaglemusicshop[dot]com

Phone: +44 (0)1484 661460

Eagle Music Shop

1 St Pauls House

Brooke’s Mill

Armitage Bridge

Huddersfield

West Yorkshire

HD4 7NR, UK

Mumford & Sons, Taylor Swift, The Brit Awards and Eagle Banjos

What a great night for the humble banjo at the 2013 Brit awards! It was awesome to see Winston Marshall ‘rocking it out’ and playing our namesake banjo model, the Deering Eagle II 5-string banjo during their live performance at the awards. To enhance the on stage performances of Winston’s banjo and give it the power to keep up to electric guitars bass and drums, Winston’s Eagle II Deering banjo is fitted with the superb Kavanjo electro acoustic banjo head pick up system.

If you were at the awards or watched the ITV show on Tuesday February 20th you will have seen Mumford and Sons win the award for the best British group!

Mumford & Sons

Coming from the West of London here in the UK, the brilliant folk rock band Mumford & Sons was formed in December 2007 and consists of multi instrumentalists Marcus Mumford (lead vocals, guitar, mandolin, drums), Winston Marshall (vocals, banjo, guitars, resonator guitar), Ben Lovett (vocals, keyboards, accordion, drums) and Ted Dwayn (vocals, upright bass, guitar, drums).

Winston Marshall

Mumford & Sons received two Grammy Award nominations in December 2010 for Best New Artist and Best Rock Song. The bands second studio album ‘Babel’ was released in September 2012 and was the fastest selling album of 2012 in the UK reaching number one in both the UK and USA charts. The album also went on to win ‘Album of the Year’ at the 2013 Grammy Awards.

Watch this space for more information on the Mumford & Sons ‘Gentlemen of The Road Stopover’ in Lewes, England on July 19th-20th.

Mumford and Sons

The Deering Eagle II banjo that Winston Marshall plays was named in respect of Eagle Music’s dedicated passion towards Deering Banjos. The serial number one Eagle II banjo was presented to Steve Noon our company owner, by Greg and Janet Deering at the Eagle Music Banjo 1000 event on Saturday March 20th 2010.

Steve Noon awarded with Eagle II Banjo

Another Deering banjo endorsee who gave a stunning performance at the 2013 Brit awards was the USA’s own superstar Taylor Swift. Taylor stunned everyone during her performance at the 2012 Grammy awards when she performed with her Deering Boston B6 6-string banjo. The Deering Boston B6 that Taylor plays is also fitted with the powerful Kavanjo electro acoustic banjo head pick up system. Taylor was the winner of two Grammy awards in 2012 for best country solo performance and best country song.

Taylor Swift

The Eagle II and the Boston B6 string Deering banjos are stock models that are available from Eagle Music shop. The Kavanjo pick up system is also available from Eagle Music and can be fitted to most banjos that are designed to be fitted with an 11” head.

Deering Banjos with Eagle Music Shop – Our brand journey so far

Our Eagle Music Deering Banjos Journey so far, told in words and pictures.

Eagle Music are celebrating being the Deering Banjos number one world dealership for the past six consecutive years 2007 -2012.

I say to our customers at Eagle Music Shop “Playing banjo is good for the soul.

What other instrument could be so cheerful, and give you so much joy when you pluck the strings ”… Steve Noon, Eagle Music, January 21st 2013

And what could be more cheerful than this beautiful little banjo which I shall tell you all about later on in our Deering story.

If you haven’t already, why not come and visit us and walk into the Eagle Music Shop, “the kettle’s always on”, and with a fresh brewed cup of tea or coffee and a wonderful room full of banjos and a specialist friendly sales team, how can you not make a visit to the “Banjo Paradise” located in this 19th century woollen mill beside the tree lined River Holme in Armitage Bridge, a charming village in Yorkshire, England.

I am often asked “How did you become the worlds biggest banjo retailer?”  This question has prompted me to write down the story of Eagle Music’s  amazing Deering Banjos Journey. When I stop to think that recently in November 2012 Eagle Music celebrated Worldwide sales of over two thousand Deering Banjos, and that we have been the number one world dealership for the USA Deering Banjo company  for the past six consecutive years, selling more banjos than any other dealer in the entire world, and when I  look at the other major banjo retailers in America and the rest of the world,  I am humbled at the thought. I must firstly say that this is a reflection on our passion for quality and customer understanding and the dedicated work of my family and the excellent staff at Eagle Music Shop, but secondly it is a fact, that we couldn’t have achieved this  goal without such a world class product on our listings as the American made “Deering Banjo”

In my opinion, Deering Banjos are the very best American built banjos and also an excellent investment. Quality engineering and fine woodcraft are the key features. Deering’s use of state-of-the-art manufacturing which gives precise, constant profiles, Deering banjo parts fit together precisely!

When we say we stock a “variety” of banjos we are talking about Deering, Tenbrooks, Vega, Goodtime and Goodtime Leader banjos as well as all the other World Class name brands so customers can compare models and make a choice on quality and price. “It’s easy for anybody to set up a business and ‘sell’ instruments to customers… at Eagle Music Shop we don’t just ‘sell’ things, we look after our customers, all of them. We have built up our business on customer care and after sales support. Customer referrals are also a big part of our business; we have thousands of returning customers to prove this fact, and our sales figures substantiate this well!

My Deering Banjo journey started over two decades ago when I was working in Cleckheaton, Yorkshire with my close musician friend Dave Mallinson, an excellent musician and melodeon player. In those early days the Deering Banjo Company was relatively new in comparison to the other long standing American banjo makers like Gibson, Stelling and OME.  However, I had picked up on the grapevine that many top players were saying great things about Deering Banjos. So, I set out on a mission to travel to California USA, to check out the Deering Banjo range of instruments for myself.

It is true that I am a businessman, but firstly I am a musician and a banjo player, I also have qualifications in precision engineering and have spent a number of years in engineering management. I have owned an antiques sales and restoration business and have a passion for fine woodcraft. Banjos are a blend of fine engineering and woodcraft, so I knew that I had all the necessary qualifications to check out what makes a fine banjo!

I had an appointment to meet Greg and Janet Deering at a trade show in Los Angeles, at their Deering Banjos trade stand. From that first meeting, it was crystal clear to me that Greg Deering is a genius craftsman and Janet is a modern business guru, they were both brimming with pride and enthusiasm for their excellent product. “What a great combination for a successful company I thought”. And when I checked out the Deering Banjos, I wasn’t disappointed, the banjos played brilliantly, they all  had excellent design qualities, they were great sounding and were oozing with fine precision engineered components, fine wood craftsmanship with breathtaking artistic  presentation. I was so excited and impressed that I bought three banjos! I took them back to my hotel room and removed the banjo necks from the pots so that I could fit them in and bring them home in my suitcase!

2003

Working with my partners in Cleckheaton, West Yorkshire, along with my daughter Rachel we imported Deering Banjo to the UK throughout the 1990’s and built up a great deal of product knowledge, customer loyalty and trust.

2004

My vision was always to have a compact, high quality, efficient banjo business, and never lose sight of the fact that our customers make us what we are…without them we are nothing. A natural progression was that with the backing of my wife Joan, my daughter Rachel and my son James, I left my former business partners in Cleckheaton in late 2003 and founded Eagle Music Shop in early 2004.

From the outset of Eagle Music Shop, we decided that Deering Banjos would be the jewel in our crown. My close friend Phil Winfield, of Maverick Music, North Carolina helped me along with some of the building blocks for Eagle Music in the many miles that we drove around the American states in those early days. On one such memorable trip we drove all the way from New York to New Orleans and then on to Key West in Florida, stopping off at most of the music stores on the way!

We set up a dealership for selling Deering Goodtime Banjos in mid 2004, and soon to follow was our Deering Banjos Master Dealership. Our proud aim from the start was to be the most multi-faceted dealer in the United Kingdom if not the world and with a Deering Master Dealership we are able to stock well over the 30 various Deering and Vega banjos and all the various Goodtime banjo models needed for a master dealer status.

2005

Backed up by Eagle Music’s high quality standards, our unmatchable stocks of banjos, our attention to detail and customer care, our skilled staff and along with our renown on-sight banjo workshop our banjo sales of Deering, Tenbrooks, Vega and Goodtime banjos started to grow, and to quote what the Deering Banjo Company said about Eagle Music Shop back in 2005 “All of these excellent inventory and staffing qualities combined help us see why Eagle Music Shop has literally soared to the top of the Deering Banjo Company dealers”. The Deering sales team started referring to Steve as “The Man” in the UK and European banjo market.

2006

In mid 2006 I received a telephone call from Carol Miller, the international sales manager for the Deering Banjo Company, Carol informed me that Greg and Janet Deering had made a request to come over to the UK and meet Steve and the Eagle Music banjo team, I was delighted to be told that at that point our world sales of Deering Banjos had put us into a place listing as the second largest world dealer for the company! I was very proud to accept the offer of the visit and we started to make arrangements the first “Deering Banjos Celebration Weekend at Eagle Music”.

2007

The visit of Greg and Janet Deering and “Deering Banjos Celebration Weekend” was organised by the Eagle team and it and took place on Saturday March 24th and Sunday March 25th 2007

We hired a concert room at The North Light Gallery which is situated just behind Eagle Music Shop and as a thank you to all our treasured Deering Banjo customers, we wrote to each one of them personally and invited them to come and “Meet the Makers”  Greg and Janet Deering, and and come to the event to be entertained for the weekend, free of charge by some of the UK’s greatest banjo players, The on-stage performances included Howard Shepherd of “Sheps Banjo Boys” playing the Deering Sierra plectrum banjo,

Paul Bienek playing frailing and clawhammer banjo on the Deering Vega Little Wonder,

Tom Napper playing Irish tenor banjo on the Deering Boston 19 fret banjo.

Another highlight of the day was that one of Ireland’s all time great Irish tenor banjo players Kieran Hanrahan, renown for his years playing with “Stocktons Wing” and producing Céilí House on RTE radio, flew in from Ireland to  pick up and buy his Deering Calico 19 fret tenor banjo that we had set-up ready for him when he got here.

Kieran treated us to a brilliant  on stage solo performance of Irish traditional music .

A fantastic day of banjo music was enjoyed by all, we even had one of the Eagle Music crew playing his Deering Golden Era banjo on stage.

During the afternoon of the day, Greg and Janet Deering presented an on-stage seminar “How to Set up The Best Sounding Banjo” where Greg completely dismantled a Deering Deluxe model banjo and re-built it on stage whilst answering questions from the audience.

The on-stage workshop was filmed for the archives and the 111 minute DVD “How to Set up The Best Sounding Banjo” is available from Eagle Music Shop.

The purpose of Greg and Janets visit was to present Steve and Eagle Music with the framed certificate congratulating Eagle Music on becoming their number two Deering banjos World dealer for their year ending 2005 / 2006.

Janet presented the 1st prize of the raffle  …Of course, it was a Deering Goodtime banjo!

Two days after the event, with the sweet sound of Deering Banjos still ringing in our heads, my son James and  I travelled on to Frankfurt, Germany where we met up again with Greg and Janet Deering at their trade stand at the Musikmesse. We also met up there with the fabulous “Kruger Brothers” who were performing on the Deering trade stand, everyone was knocked out by their music!

We built up a friendly relationship over the next few days and the bond was cemented …We would be bringing “The Kruger Brothers” to the UK to perform for our customers next year in 2008!

Deering Banjos are a great company to work with; they are always at the end of the phone giving technical support if needed, information on available stock, up-to-the minute information and progress on scheduled and special custom shop orders, all from a team of dedicated banjo experts.

This is a rare commodity these days in a world where some guys just want to sell it quick and make a fast buck! We found that Deering could react to our sales requests, deliver us the ever increasing stocks that we needed, build us a custom order banjo as needed, and as a result our banjo sales continued to soar throughout 2007.

2008

We were awestruck and brimming with pride to be told that during the year 2006 / 2007 our World sales of Deering Banjo sales had put us into the position of Number One World Dealership for the Deering Banjo Company! and also that Greg and Janet would be coming over to the UK to make a presentation to Eagle Music in March 2008.

In January 2008 my wife Joan and I met up with Greg and Janet and the Deering festival crew at the NAMM show in Anaheim, Los Angeles where the latest models and developments of Deering Banjos were on display for the world to see and buy.

Following the NAMM show we met up with the rest of the wonderful Deering team back at the Deering Banjos factory in San Diego, they are an amazing team and nothing is too much to ask of them. The World management team which includes Barry Hunn, Carolina Bridges, Carol Miller and all the rest of the team for that matter, were so proud to show us around the Deering banjo works.

With my engineering and woodcraft background, I was amazed when Greg showed me his ingenious jigs, fixtures and state-of-the-art tooling, much of which he had designed and built. This crystalised my mind on how Deering can make such wonderful high quality instruments, in such quantities, and offer them for sale at such fair prices. Without question you get more Banjo for your money when you buy a Deering Banjo than any other world banjo product on the market! Greg Deering is a brilliant precision engineer, wood craftsman and banjo genius …he is a legend in his own lifetime.

Joan and I spent some quality time with Greg and Janet during our 2008 visit. One evening back at their home, I mentioned that we were flying on to Las Vegas for a short holiday before flying back home to the UK, Greg replied “We’ll come with you and I’ll drive us there” The memorable Vegas trip followed with Greg driving us through the Nevada desert, showing us and explaining about all the interesting sights on the way.

Greg and Janet stayed over with us for a couple of nights in Las Vegas. One evening we all went out to dinner with George Grove of “The Kingston Trio” where later back at George’s house I had the unique experience of playing  the Deering Banjosaurus  Long neck banjo that Greg had built  for George.

We went out for dinner with George, and during the evening , Greg and George finalised the drawings and plans to build  the “Tom Dooley Long Neck Deering Banjo” that George is now playing with “The Kingston Trio”.

(George Grove is currently the longest running member of the Kingston trio, longer than anyone except founding member Bob Shane).

On our return to the UK we started to make arrangements for the what would become an annual banjo event in the UK. Following the great success of the 2007 “Deering Banjos Celebration Weekend” we anticipated that there would be an even bigger audience as in 2008 the fabulous Kruger Brothers would  be coming over with the Deerings to celebrate our #1 World banjo dealer status. We hired the main venue at The “North Light Gallery” and arranged for the event to take place on Saturday March 8th 2008

The 2008 “Deering Banjos Celebration Weekend” with The Deerings and the Kruger Brothers was a huge success. Throughout the day we had banjo workshops for banjo, mandolin and guitar.

We had  jam sessions and the splendid return of Howard ‘Shep’ Shepherd on plectrum banjo.

Tom Napper playing Irish tenor banjo

and Paul Bienek playing frailing and clawhammer banjo.

We also had an Eagle bluegrass banjo workshop,

Two of the UK’s greatest luthiers, Patrick James Eggle and Steve Agnew were also here to display and answer questions about the world class instruments that they build,  their instruments are available from Eagle Music Shop.

Greg and Janet Deering presented an afternoon on stage seminar “The Banjo Story” telling all the crowd how they started making banjos and their own Deering banjo journey so far.

In the evening prior to the fantastic Kruger Brothers in Concert, Greg and Janet presented Steve Noon and Eagle Music with a framed certificate in recognition of Eagle Music reaching the status of number one World dealership for the Deering Banjo company.

it was the first time that “The Kruger Brothers” had played a concert in the UK, In the evening concert they promoted and played tracks from one of my favourite albums of all time, their wonderful CD “The Suite”  They just knocked out everyone sideways with their stage presence, amazing musical ability and genuine humility, what a great bunch of guys.

Over the weekend while Greg and Janet and The Kruger Brothers were in the UK, they were staying over at my home, and as always we have a great time and play even more music when the work is done!

I get involved in the  many discussions on banjos and am privy to many of the new developments at the Deering banjo factory, Greg, Janet and Jens are always enthusing and coming up with ingenious ideas and designs for banjos. On this occasion in March 2008 greg brought with him a prototype “Eagle” banjo fitted with a brand new tone ring designed by himself and Jens Kruger. This great banjo has since become The Eagle II banjo fitted with the “20/10” bell brass tone ring. Greg left the prototype banjo with me.

Also the superb three ply violin maple rim that is now fitted on all Deering banjos, was discussed and how it came to fruition.

Along with our business and musical interests I have become close friends with Greg and Janet Deering and also with The Kruger Brothers. I have been fortunate enough to travel the World and also meet up at trade shows around the World on many occasions.

I can say that “their humility as people is as great as their genius at their craft and musical ability”. My wife Joan and I have sailed with Greg and Janet in their yacht around San Diego harbour, on one occasion Greg told us that he had swapped the old Yacht in exchange for building a friend a custom shop banjo! Greg then went on to tell us that he had stripped down and completely re-built the engines cooling system after becoming the owner of the yacht!

Janet in the rigging!

On another trip to the Deering Banjo factory, I told Greg “I fancied buying a pair of tooled leather cowboy boots”, without further adom, Greg had arranged to take a day out with Janet, Joan and I, he then drove us over the border to Mexico where we visited some fine leather makers and my new boots were subsequently purchased! The Stetson hat in the picture belongs to the guy on the left that sold me the boots!.

As well as my love for American bluegrass music,  I have for many years played Irish traditional music on tenor banjo, and as such, it was a natural progression for me to order for my personal use, a custom shop Deering GDL  “Greg Deering Limited Edition” 19 fret walnut tenor banjo fitted with an arched-top tone ring.

And you could have guessed it, there was a secret telephone call to my wife Joan informing her that Greg had asked “Do you think Steve would like me to carve the heal” ? Joan confirmed with a big ‘Yes please’ without me knowing anything about it, you can imagine how I was overwhelmed when the beautiful walnut GDL banjo arrived with Greg’s hand carving work on the heal.

2009

In January 2009 I was invited  by Barry Hunn, the Deering banjo company’s world marketing and sales manager, to attend and speak at the Deering “Banjos Summit Meeting” in San Diego and talk about  Eagle Music’s sales strategy and convey our Deering Banjo journey to other World dealers, this was a great experience and opportunity for me to pass on some of my knowledge and at which time get the chance to speak to other banjo dealers that were situated about the world and exchange thoughts and ideas relating to the promotion of banjos on the world market.

My wife Joan and I also spent some quality time with Greg and Janet at the NAMM show in Anaheim, Los Angeles. Greg introduced me to his lifelong friend Bob Taylor, the founder of Taylor Guitars, El Cajon, USA.  He told us some great stories of how they were at college together “In the evenings Bob and I would be taking over the workshops making dulcimers and guitars, whilst most of the other guys were smoking joints and dropping out”! he told us how further down the line, he and Bob set up a business together which they named “The American Dream” they were making dulcimers, guitars and banjos …This was the stepping stone for both these American iconic instrument brands.

After the show we all set off on a most enjoyable and enlightening trip “South of the Border down Mexico Way”  …We talked a lot about banjos on the way!

2009 also was the ‘birth year’ for Eagle Music’s Deering Goodtime “Leader” range of banjos. When Greg and Janet confirmed to me they could build a range of Goodtime Banjos with our “Leader” name on the headstock, I gracefully took them up on their offer with passionate enthusiasm! The “Leader” range are built exclusively for Eagle Music Shop by the Deering Banjo Company, they are built by the same craftsmen that build in the same factory in San Diego California as the professional range of Deering Banjos. “Leader Goodtime Banjos”  are built to a higher specification than the standard range of Goodtime models and all have upgraded features including planetary geared tuners and side neck dot position markers. The Carolina King, Southern Queen and some of the other models are fitted with the 20/10 patent pending new Deering tone ring. The stunning range of Leader models includes the “Maple Prince” open back banjo, the “Maple Queen” old time, the “Picking Earl” bluegrass banjo, the “Carolina King”  bluegrass banjo, The “Southern Queen” clawhammer and frailing banjo, the “Drive Duke Electro”, etc. and the range of “Dixie Jazz” and “Chieftain” Irish tenor banjos.

Eagle Music retained its status as the number one world dealership for the Deering Banjo Company in 2008 / 2009 and on March 28th 2009 Eagle organised and hosted the third UK “Deering Showcase Event” with Greg and Janet Deering and The Kruger Brothers.

In the afternoon Greg and Janet presented an on-stage workshop and conveyed to everyone all the new Deering developments at  the Deering Banjo Company and explained the refinements of all the new models for 2008 /2009

The happy Goodtime banjo family, were all on display with new models sporting fiddle shaped Peg-heads.

The fabulous Kruger Brothers presented an on stage “Workshop Showcase” which was filmed for the archives, the DVD is available from Eagle Music Shop.

Howard ‘Shep’ Shepherd, gave a plectrum banjo workshop,

Paul Bienek gave us an excellent on-stage bluegrass and frailing banjo performance,

and Tom Napper presented  his “Absolute beginners” Irish tenor banjo workshop.

We were also treated to an on stage ukulele and ukulele banjo performance by Francesca ‘George Formby Girl’ Davies.

The Kruger Brothers stunned us all with an amazing evening concert and launched their latest CD “Between the Notes”.

Prior to the concert Greg and Janet Deering presented Steve, Rachel and all the Eagle Music team the 2008 /2009 award as the World Number One Dealership for the Deering Banjo Company.

2010

When one considers the skilled luthier workshop that we have at Eagle Music Shop, the stocks of vintage banjos, mandolins, books, DVD’s and accessories, a customer would be hard pressed to find one better! Our strong focus on customer after sales care is most graphically illustrated in our luthier workshop where instrument setups, repairs, spike fitting, capo installation, etc., are done by four skilled banjo playing technicians Alan Hardwick, Matt Chafer, Graham Holt  and Gary Collins. The entire staff at Eagle Music are musicians, a rare and much prized skill in the world of music stores. This all adds up in the equation of why we are the biggest, most respected and successful banjo shop in Europe and the Worlds leading retailer for America’s greatest banjo company, Deering Banjos.

In January 2010 I was contacted by the Deering sales team and informed that Eagle Music had completed yet another year of amazing sales for the Deering Banjo company, in checking my spreadsheets and sales figures for Eagle Music, I was stunned to see how many Deering Banjos we had actually sold! The preparations were immediately put in motion for the fourth banjo showcase event here at Eagle Music and for the year 2010 it would be called “Banjo 1000” We called it this because at this point we had sold over one thousand Deering Banjos worldwide! The event was arranged to take place on Saturday March 20th 2010.

2010 was a very special year for Eagle Music celebrating sales of over 1000 Deering Banjos, but it was an even more special year year for The Deering Banjos Company as it was their 35th anniversary year 1975 – 2010. When Greg and Janet arrived at my home on the Friday evening they  gave us special gifts as always …we were delighted to see that Greg had made carved maple name badges for all the Eagle Music staff! the badges are carved from solid maple and even have The “Eagle” banjo wing inlay design on the corners.

Greg then handed to me a small hammer, and as he put it “its a fine worshop hammer for driving home banjo railroad capo spikes” The shaft of the hammer is engraved with the “Banjo 1000” logo and on the back of the shaft its signed by Greg and Janet Deering. Greg told nonchalantly “My old hammer was getting tired and I needed a new one, I decided to make one, I made some extra ones for you and your workshop staff”, Greg then gave me another three “Banjo 1000 spike fitting hammers”! it’s amazing how Greg finds the time to make all these special gifts, as I say often Greg Deering is an amazing craftsman of sincere humility.

Hundreds of banjo enthusiasts attended the Eagle Music Shop Deering “Banjo 1000” Event 2010, banjo players arrived from as far away as Sweden and bought banjos! In the afternoon Greg and Janet presented their excellent workshop “How we Build World Class Banjos” Jens Kruger accompanied Greg and Janet on stage, Jens discussed and played  the Deering Banjos throughout the presentation, the showcase was filmed for the archive and a DVD is now available from Eagle Music Shop.

Also during the afternoon the Carolina King himself  “Jens Kruger” presented “The Jens Kruger Banjo Masterclass”  Accompanied by his Brother Uwe on guitar and the Kruger Brothers bassist Joel Landsberg. Jens shared his vast musical knowledge and masterful banjo techniques to the attending banjo students. The masterclass was filmed for the archives and is available from Eagle Music Shop.

The Kruger Brothers  performed a brilliant on-stage “Performance Workshop” which turned out to be just a small taster before their forthcoming evening concert! Their on stage magical musical ability dazzled everyone as always!

The Grand Finale to the afternoon entertainment was an on-stage group performance of “Duelling Banjos” All the banjo players in the audience were asked to come forward and accompany The Kruger Brothers on stage playing “Duelling  Banjos”. We announced at the time that the footage would be uploaded to YouTube soon after the event.

The “Banjo 1000” evening concert with Greg and Janet Deering and the Kruger brothers was an amazing and memorable special occasion for all who attended. We had the finest plectrum banjo player in the Europe, the leader of  “Shep’s Banjo Boys” Howard ‘Shep’ Shepherd and  guitarist Mike Dexter supporting the Kruger Brothers. “Shep” stunned us all again with his masterful playing of his Vega Vegavox plectrum banjo.

Greg and Janet took to the stage and congratulated Eagle Music Shop on yet another incredible year as their number one World banjo dealership, We were all stunned when they produced from the side of the stage a beautiful carved and scripted maple plaque that Greg had personally made, and was humbled as they read out the script. I received the plaque on behalf of all the loyal and dedicated staff at Eagle Music …

But that wasn’t all, as Greg said to me “don’t go away” I was overwhelmed and literally brought to tears when Janet uncovered and presented me with a very special engraved and gold plated  serial number 0001 Eagle II banjo!

Greg told everyone how very special this Eagle banjo was, in the history of Deering Banjos, this was the first serial number one banjo of any model, that they had not retained.

I was totally awestruck, I blended into the rest of that wonderful evening, listening to one of my all time favourite bands “The Kruger Brothers”,  They played some great Kruger Brothers favourites and sang songs from their fabulous CD “Forever and a Day” ..what a stunning concert and the end of one of the wonderful days in my life.

My daughter Rachel “right hand (wo)man” …left on the picture! And beautiful wife on the right, has been with me since the outset of Eagle Music, Rachel has always been at my side throughout our Deering Banjos Journey, supporting me as needed and at the forefront of many projects …I also add that Rachel is a 5-string Goodtime banjo player herself!  Then amongst some of our wonderful staff we have Jules, Emma, and Ilona, all of whom are loyal and dedicated to the Eagle business, they are always there to help our customers with a big smile.

Other banjo playing staff we have are Alan Hardwick, Graham Holt, Matt Chafer and Gary Collins, all excellent musicians and instrumentalists who can deal cheerfully with customers for both sales and repairs.

We encourage our customers to visit our store; we don’t want to disappoint them when they get here so we carry a healthy stock of Deering Banjos. we say “The more banjos you have in stock, the more your customer has to choose from, not all customers choose the same banjo. So, the more variety that you have the better chance you have of satisfying your customer…”

2011 … “Banjo 5”

It all happened again in 2011!! … Eagle Music continued to be the number one world dealership for the Deering Banjo Company USA! and I asked myself, “What would we call the event this year”? “Banjo 5” …Yes! because Eagle Music would be celebrating its fifth consecutive year as the number one World dealership, and we would be hosting five of the greatest icons in the banjo world for the event …Greg Deering, Janet Deering, Jens Kruger, Uwe Kruger and Joel Landsberg! The 2011 “Banjo 5” event was arranged and took place on Saturday 28th May 2011

Greg and Janet arrived at my home early on Friday evening and brought with them a work of art! The most beautiful banjo I have ever seen, The Deering 35th Anniversary model with beautiful figured maple, spur engraving and gold plating on all the hardware and intricately inlaid with marquetry and rhinestones on the resonator.

This special anniversary banjo is stamped on the back of the headstock Serial No. 0001

As the owner of this beautiful unique banjo, I shall treasure it for life. The banjo represents 35 years of excellence and banjo making for the Deering Banjo Company  throughout the years 1975 – 2010

The Kruger Brothers arrived later in the evening and within minutes they were playing wonderful music in preparation for the “Banjo 5” event the following day. “Forever and a day” will be joyfully be forever on my mind!

 

The calm before the storm!…The day started early, everyone was welcomed with complimentary tea and coffee just to get the day going.

Two of the icons of the day …Greg  and Janet Deering presented their workshop from the stage during the early afternoon and explained all the latest developments at Deering Banjos USA.

 

The Kruger Brothers afternoon workshop was yet another blazing display of sheer on stage mastery of the banjo, guitar and bass in how they all fit together in the Kruger Brothers musical arrangements!

There were some great picking sessions in the afternoon with banjo teaching Eagle man Graham Holt, along with Paul Theato, Joe Mac and the Old Grey Dogs keeping the picking sessions driving along all afternoon

Yorkshire’s own, John Strong was the support artist for the Kruger Brothers. A well seasoned brilliant professional guitarist, and singer songwriter. John got the audience warmed up in his inimitable way for the start of the evening.

When the raffle draw was completed, Greg and Janet Deering took to the stage to introduce the Kruger Brothers, they then made an announcement to the audience to say that there was something very special to happen before the show…They told the audience that the  purpose of their visit was to congratulate Eagle Music on their fifth amazing year as the Number one World dealership for the Deering banjo Company. Eagle Music were presented with a beautiful maple plaque carved and inscripted with the five year achievement.

The Kruger Brothers followed with yet another year of world class stage craft, incredible musicianship and mind blowing music. Playing brilliant old favourites and live tracks from their new released CD “Appalachian Concerto”.

I travel to many of the country’s festivals with a team from Eagle Music where customers who do not have the opportunity to visit us, can have the pleasure of playing…and buying…Deering Banjos. My 25 years of retail experience including working for a well known traditional music publisher and running more than one traditional music store in the UK, has given me the insight and focus on customer care and satisfaction that are the hallmark qualities of Eagle Music Shop. As with many good companies, word of mouth plays a big part in Eagle Music’s success for sales.

In September 2011 Eagle Music represented the Deering Banjo company at the 10th anniversary of the Johnny Keenan Banjo Festival in Longford, Ireland.

My wife Joan and I met up with Greg and Janet Deering at the five day festival and set up a huge Deering Banjos trade stand to showcase the excellence of Deering Banjos to players from all over the world.

Greg and Janet were guests of  honour at the festival. During the festival Greg and Janet presented a “Banjo Set-up Showcase Workshop”. Many of the great players at the festival were playing Deering Banjos, and all of the top professional players at the festival were friends of Greg and Janet! We were fortunate to spend some quality time with the likes of the Saratoga Star himself Tony Trischka!

Pete Wernick,

Tom Hanway,

Tim Carter,

Leroy Troy

and three of the worlds greatest Irish tenor banjo players Gerry O’Connor,

Cathal Hayden

and the late great Barney Mckenna.

We treasure the evening that we spent with Barney playing banjo and telling us stories and tales of long ago, we hold Barney close to our hearts and dear in our thoughts. To see footage of the grand finale of the 2011 Johnny Keenan Banjo Festival click on this link to view the footage on YouTube …You will see Greg and Steve up on the stage playing Deering Banjos …but see if you can spot Janet and Joan playing tambourines!

2012 …

In September 2012, we once again represented The Deering Banjo Company in Ireland and took a large trade stand of banjos to the 11th Johnny Keenan Banjo Festival in Tullamore, Co Offaly. Matt Chafer accompanied me from Eagle Music team of banjo specialists. We had a great festival together and mingled work with the pleasure of brilliant music and cold Guinness! Matt plays a Deering Sierra 5-string.

We were in Ireland for a week and met some amazing banjo players from all corners of the world.

It was wonderful to make contact again with Chris Keenan and Kathy Casey and all the rest of the wonderful team of organisers, what a fantastic job they do for the banjo world!

Another delight for me was to meet up again with Enda Scahill and the Howley brothers Martin and David,  They are all now playing together in the band “The We Banjo 3” I have known them since they were youngsters competing in the All Ireland fleadh Cheols. All three are amazingly talented Irish tenor banjo players.

More super highlights of of the week were meeting Michael J Miles a brilliant and most inventive clawhammer banjo player from the USA to quote Pete Seeger “One of the most beautiful I’ve heard…This is enough to make me want to learn the banjo all over again.”

Other highlights were Blue Highway from the USA,

The Barcelona Bluegrass Boys,

George Harper and of course to be in the presence of, and watch a breathtaking performance from one of the greatest and most incredible master of the Irish tenor banjo “Gerry O’Connor”.

If all that wasn’t enough, I got to meet and watch a world class performance from one of the greatest musicians in the world, and one of my all time hero’s Paul Brady.

The Deering banjo sales went quite well too at the festival!

“Banjo 2012”

This was the big one folks! Eagle Music Shop celebrating sales of over Two Thousand Deering Banjos! and retaining our number one world dealership status for the sixth consecutive year running! When you consider that Deering have over 350 Deering Banjo Dealerships throughout America and the rest of the World, it puts it into perspective what our UK company has achieved in the World of banjos! Due to the commitments of Greg and Janet and the Kruger brothers the event had to be arranged for later in the year and took place on Saturday November 3rd 2012

This was to be a special year in another way in that it would be the first time for Jamie Deering to visit the Uk and attend the “Banjo 2012” event with her parents Greg and Janet Deering. Jamie is the world artist and coordination manager for the Deering banjo company. Greg, Janet and Jamie arrived on the Friday evening and as always they had a special gift for us. We guessed it was a banjo by the shape of the box? …but what a banjo! we couldn’t believe our eyes when we unboxed the banjo! They had built us a Deering Goodtime ‘Yuletide’  banjo that was all inlaid with beautiful colourful Christmas themes.

It was Jamie’s first time in Yorkshire, so we surprised her and presented her with a custom shop “Pink ukulele” which Papa quickly grabbed and rattled a sweet tune out of!

Greg, Janet and Jamie also brought with them a set of wonderful shirts for all the Eagle staff to wear at the event signifying our six year anniversary as the number one world dealership status 2007 – 2012

The Kruger Brothers arrived later on in the evening and Jens brought a box of assorted sweets for the children and a jar of “Midnight Moonshine” lovingly distilled in North Carolina!!!!

We had arranged and booked a fantastic line up for what was going to be our most special banjo day which included in the afternoon a presentation by Greg Janet and Jamie Deering “The Deering Banjo in Modern Times”.

a  “Chris Cooper” Bluegrass banjo workshop hosted by Chris Cooper of the “Down County Boys”

Uwe Kruger hosted a very special “Guitar” workshop in the mid afternoon. This special workshop was arranged at Uwe’s request as he wanted to meet some of the guitarists that have attended the Eagle-Deering-Kruger events over the years. It took place in a separate room to the main venue. Uwe was joined later by Jens on banjo and Joel on bass, to putting  the icing on the cake so to speak!

 

A stunning on stage performance workshop from “ The Kruger Brothers”

A big fun part of the afternoon was the group rendition of  “Cripple Creek” We all got on and around the stage with the Kruger Brothers and blazed through the tune a couple of dozen times, or more!!! The footage can be watched on YouTube.

The UK’s own The “Kentucky Cow Tippers” featuring Sam Wear on Deering Golden era banjo, Rupert Hughes on guitar, Evan Davies on mandolin and Ted Harbot on upright bass rounded off the afternoon with a cracking bluegrass set.

“Joe Mac and The Old Grey Dogs” drove along the picking sessions brilliantly throughout the day, and carried on through the interval! What a great afternoon was had by all.

The support band for the evening concert was the oldest running UK bluegrass band “The Down County Boys” featuring  Peter Parker on fiddle, Mick cooper on upright bass, Dan Norton on mandolin, Chris Elson on guitar and Chris Cooper on banjo. They gave a brilliant performance that got us all in the mood for the grand finale to the day.

We had our ‘A’ team of helpers in operation all day!

Prior to the grand final, Erin and Annabelle drew the raffle prizes.

Greg and janet then made a heartfelt speech to the audience about the achievements of Eagle Music Shop in the banjo world, and thanked us for our amazing sales of over two thousand assorted Deering banjos in such a short period of time. They complimented all the staff at Eagle Music for our unwavering customer care and dedication number one world master dealership.

As always the Kruger Brothers concert was amazing! they played with such passion and sheer musicianship and left the audience breathless. We were treated to  lots of the old favourite songs from Uwe and also wonderful music as they played live tracks from their newest CD “The Best of The Kruger Brothers” …Two standing ovations were the order of the day!

As in previous years, many of our much happy and knocked out friends shook hands with all of at the door as they were leaving and asked “How you gonna’ beat that Steve”? …You will be happy to hear that “we have plans”!!!

Farewell to the Kruger Brothers until we meet again.

Safe journey’s to the Deerings.

2013 and Onwards

My life time love of music started for me with the Ukulele at an age when my wee fingers could barely get around the small neck. I played piano, classical guitar as a youngster and moved on to mandolin and banjo which are among the instruments that I am proficient in playing. Given that I played as a professional on guitar, mandolin and banjo, customers can expect a level of expertise second to none!

So what about the future? There will never be a need to worry about “after sales service” from Eagle Music Shop, Joan and I are blessed to have two wonderful children Rachel and James that are partners of the Eagle Music Business.

Both are very well educated and have excellent business heads on them, both are musicians in their own right right, and I can say happily that they have both got their hands very much on the “strings of the business”.

Rachel a banjo player herself, manages the business on a day to day basis along with the excellent Eagle Team of banjo specialists.

Having the expertise of my son James who is a modern business guru, an eCommerce platform developer, intenet marketeer and also the owner of his own company Chameleon Digital Media, to both design and develop the Eagle Music Shop website has made world-wide sales a reality in this modern world. Advertising in the print media is also a major tool in bringing Eagle Music Shop to people’s attention.

Rachel has further blessed us with two beautiful grandchildren Erin and Toby, both budding musicians and already playing piano and banjo.

Toby at the age of six years old had his first lesson from Jens Kruger and also played a banjo and piano duet with Jens the evening before the at the Banjo 2012 event!

Santa brought Toby a new Deering banjo for Christmas 2012 His very own Goodtime Leader model 19 fret Parlour “Black Knight ”.

Having just read about and learned of the treasures you will find when you walk into the doors of Eagle Music Shop, it is clear that every visitor to our gem here in the British Isles will be treated to a most wonderfully soul satisfying banjo experience!

Well, that’s all just for now folks… I must rush because James, Emily, Joan and I are just flying off on another USA banjo trip to meet up with Greg and Janet Deering and the Kruger Brothers to go on the Sixthman “Mountain Song at Sea” Banjo Cruise from Miami to the Bahamas!!!  We’ll leave the business in the capable hands of Rachel and the brilliant Eagle Music Banjo Team.

Author

Steve Noon

January 21st 2013

Visit the Eagle Music Shop web site at www.eaglemusicshop.com and for more information on Deering Banjos you can call and speak to a banjo specialist at Eagle Music Shop on 44 1484 661460 or log on to the Deering Banjos website, www.deeringbanjos.com

Banjo buyers guide by Eagle Music including explanations of banjo types

Whether you are looking to start playing a Bluegrass 5-String Banjo, Frailing or Clawhammer Old Time Banjo, Open Back Banjo, Irish Tenor Banjo or Plectrum Banjo, Eagle Music will help you to make the right choice.

Original article written by Steve Noon, founder of Eagle Music, 2004

There are three critical but simple decisions that you our valued customer should make when buying a banjo:-

Buy from a Specialist Company… that will set up the instrument correctly
Eagle Music is Europe’s unrivalled leading banjo specialist shop

Buy the Best Quality instrument… that is within your budget
Eagle Music carry Europe’s largest selection of world class banjo brands

Choose the Correct Banjo… for the kind of music that you want to play
Eagle Music’s specialist musician sales team  will ensure this for you

The notes below will help you choose the banjo that is the right model for you.

Types of Banjo and the kind of Music that  is Played on them

There are many ‘types’ of Banjo that have been designed to suit specific kinds of music, these banjos will in general have either four, five or six strings. However, there are crossovers where one particular ‘type’ of banjo can be suitable for more than one ‘kind’ of music. We shall try to keep explanations relatively simple and deal with each of them in the notes below.

An important point to note for beginners is that some banjos are what are called ‘OPEN BACK’ and some banjos have what is called a ‘RESONATOR’ fitted, this banjo is also called ‘CLOSED BACK’. The ‘OPEN BACK’ is a quieter gentle banjo because some of its sound when playing is absorbed by the players clothing.

Whereby the ‘Resonator’ when fitted, helps to push most of the sound forward. Both banjos normally have the same neck and are tuned the same which means that any kind of music can be played on either banjo. However, in the 5-string banjo world BLUEGRASS players like powerful banjos with resonators fitted and the old time FRAILING and CLAWHAMMER players like the more gentle sound of the open back banjo.

5-String Banjo

The 5-string banjo is the most popular and in relative terms the easiest to learn to play as in most cases it is tuned to a ‘G’ chord …so that means that you can ‘play music’ by just brushing across the strings, when the banjo is in tune, that is.
Some types of popular music that are played on the 5-string banjo are as follows:-
Bluegrass, Frailing, Clawhammer, Old Time, 5-string Folk style, Classical etc.

5-String banjo Bluegrass Music style

Bluegrass players choose a powerful banjo that has a resonator fitted. Many bluegrass players play in the style of the USA legend Earl Scruggs. In this style, a thumb pick and two finger picks are fitted to the picking hand which then plays ‘rolls’ alternatively about the strings in what is called the ‘three finger picking style’. With much practise dexterity, solid timing and vibrant attack is achieved in producing the Bluegrass Banjo sound that you hear in American music like Duelling Banjos from the popular film Deliverance.

5-String banjo Clawhammer Style –  also closely related to Drop Thumb and Frailing  styles

Open Back banjos are chosen by players for this style of ‘Old Time’ Banjo Music, and to facilitate easier fingering, a number of different tunings are chosen by the ‘Old Time’ players to pick out fiddle tunes. This style is also most suitable for singers and vocal accompaniment. Thumb picks are generally not used, but some players do use a pick like the Fred Kelly Freedom Pick’ or the Perfect Touch Clawhammer Pick instead of the back of the natural nail.

This style is very popular in folk and mountain music circles. The desired banjo sound is gentle and mellow, deep and ‘plunky’ and some modifications can be made to the design of the banjo to give these desired requirements.

On some banjos like the Vega Old Tyme wonder, the Prucha Old Time, the OME Juniper and Jubilee Models or Gold Tone White Ladye models a ‘frailing scoop’ (removal of some frets and part of the fingerboard at the bottom of the neck) can be found on the banjo to facilitate the thumb on the ‘Clawhammer’ hand as it comes down to rest on 5th string and then ‘pick’ the 5th string. In the same rhythmic movement, the back of the nail on the picking finger … normally the third or first finger on the picking hand picks the tune out on the other four strings. With practise the frailing / clawhammer rhythm can be learnt quite easily by most players.

5-String banjo folk style

This style is a combination of clawhammer and “up picking” and was popularized by Pete Seeger. Played without finger picks and usually mixing melody playing with chords. Very often a long neck banjo is used because it may be tuned lower to better suit vocal ranges. There are many variations of this style and may be played on an open back or resonator banjo.

The 4-string Tenor Banjo

Tenor banjos are nearly always played with a plectrum (pick) and can be played in the strumming style along with single picked scale runs. It is the typical banjo for New Orleans style jazz sound or Irish traditional music.

The 4-string Tenor Banjos Jazz and General Styles

The four string banjo has a shorter neck than a five string as the tuning is higher 4C 3G 2D 1A and is an excellent rhythm instrument for jazz bands. A resonator is typically used, since the banjo’s sound must be loud and piercing to compete with other instruments in the band. Single string melodies can be played but chord melodies are more traditional. Popular jazz tenor banjo tuning is 4C 3G 2D 1A.

The 4-string Irish Tenor Banjo

The Irish Tenor banjo is the same instrument as a jazz tenor banjo and can have a seventeen or a  nineteen fret neck. The shorter neck allows a higher tuning so the songs are better suited to the keys of Irish music (G, D, A, E etc.). The style is played with a plectrum and often played with rapid single string melodies. The Irish tenor banjo can be fitted with or without a resonator, the sound desired is mellow but with attack. Popular Irish tenor banjo tuning is 4G 3D 2A 1E.

The Long Neck Banjo

As an absolute beginner looking at banjos, you might think that all 5-String banjo have a long neck! most  do in fact have a 22 fret neck but, there is a specific banjo called ‘the Long Neck banjo that was designed by Pete Seeger in the 1960s. this banjo has an extra three frets making it a 25 fret neck and around a 32” scale length (nut to bridge). it is tuned normally to E Which gives the banjo a powerful low tone. The idea of Pete’s design was for accompanying his singing in the lower keys, a style that has been copied and sought after by many aspiring banjo players to this very day.
You can place a capo on the third fret of this banjo and play in open G as on a normal 5-string banjo. Check out the Deering Vega Tubaphone and Woodsongs range and the Gold Tone Long Neck available from Eagle Music shop.

The Plectrum Banjo

The neck on a plectrum banjo has 22 frets and a Deering model has a scale length of around 27” (which is slightly longer than a 5-String banjo).
Some plectrum style players will use a five string neck but eliminate the fifth string. A plectrum may be used in jazz styles, melody chord styles or for just playing chord accompaniment for vocals.  It can be played with or without a resonator. Players usually use G tuning which is D G B D. However, it can be tuned C G B D or D G B E. The chords are easier to learn than on a Jazz tenor banjo.

Alternative Banjos

These include the six string banjo like the Deering Phoenix, Gold Tone Banjitars etc., the Banjo Mandolin, Bass Banjo, Ukulele Banjo, even Dobro Banjo. Most use a banjo-style body but neck and tuning is the same as the names they simulate. They allow non-banjoists to achieve a banjo tone without learning a new instrument.

Travel Banjo

A travel banjo is a smaller version of a standard size banjo. Check out the Deering Goodtime 19 fret Parlour 5-strings and 17 fret Tenor Banjo models. Also the Gold Tone range of travel banjos.

Contact our Technical Department

If you have any questions about the above notes or about banjos in general or any other musical instrument, please contact our banjo technical department at Eagle Music shop on 01484 661460

How Does your Banjo Ring and Frequently asked Questions. Author, Steve Noon, Cleckheaton, 1988

Banjo parts and adjustments, simple explanations of how they affect the sound and tone of your banjo.

Eagle’s answers

I have revised this article that I wrote back in 1988 during my Cleckheaton days with Dave Mallinson and David J Taylor after being asked so many questions about banjo set-ups by many banjo playing friends and customers. Also see our other specific blog articles relating to all banjo parts.

If you are a banjo player, you may already be afflicted by the ‘vellum pluckers’ condition. A condition which leaves you constantly asking yourself, “It’s not quite sounding right, is it? Or is it?” If you haven’t yet been afflicted, the following hints, adjustments and modifications will help you through some of the traumas. A banjo is different from most other stringed instruments: you could think of it as a mechanical ‘drum’, with many adjustable parts. So, as a banjo player, it will help you to develop your D.I.Y. and mechanical skills, along with your musical ones.

What kind of banjo do I need?

Choosing a banjo, we have many books, tapes and videos to take you from beginner to advanced player. You may ask “what kind of banjo do I need?” Here is a description of the most common banjos used today, and a simple explanation of the music they are chosen for.

The Tenor banjo

In the early 1900’s this banjo was designed and made for playing jazz music, it was tuned C4, G3, D2, A1 and either picked or strummed. This is the banjo that has been adapted for playing tunes in Irish and traditional music. In order to make the playing of fiddle tunes, jigs, reels etc. easy, we put heavier strings on the tenor banjo and ‘drop’ tune it to G4, D3, A2, E1. (The fiddle and mandolin are tuned to G4, D3, A2, E1, only an octave higher). Scales and tunes that are written for fiddle are now much easier to play. You can play the tunes on a ‘C’ or jazz tuned banjo, but it is much harder. Another golden rule when stringing ‘drop’ tuned banjos is ‘The shorter the scale length, the heavier the strings’. Tenor banjos come in standard scale (usually 19 fret) or short scale (usually 17 fret), the scale length is the distance between the nut and the bridge. They may be ‘open back’ or have a resonator fitted. The resonator was designed to increase the volume of the banjo. The resonator projects the sound forward.

The Five String Banjo

The earliest banjos that came from America (even earlier, from Africa!) reached maturity around the late 1800s. Many fine open back five-string banjos from this period can still be found today. The most popular five string models today have heavy tone rings and are fitted with a resonator. These banjos are chosen for playing bluegrass, folk and general banjo music. The most popular tuning is G (fifth drone string), D4, G3, B2, D1. Normally played with a plastic thumb pick and metal fingerpicks fitted to the first and second finger. Open back banjos have a more ‘gentle’ feel. They are a favourite type for frailing style. A point to note is that all five string banjo types can be used for bluegrass, frailing, old time and jazz. (In some cases you just tune the strings differently).

The Plectrum Banjo

This banjo has a neck as long as the five-string banjo but is fitted with only four strings. The instrument is ideal for chord work. You can ‘pick’ or ‘strum’ using a plectrum.

Heads, skins, vellums, which type do I need?

The skin, vellum or head This can be adjusted and tensioned like a drum. The choice of skin and tension applied will give a different sound to the banjo.
a) Clear plastic This head will give the loudest, bright thin sound.
b) Plastic head spray finished “Frosted Top” This head will give slightly less volume than the above, but with more “body”. These heads can be obtained with the sprayed on coating applied to the inside or the outside.
c) “Fiberskyn” plastic head This head will give less volume than the above heads but will give a rounder sound with much more body and depth. The sprayed on fibres are applied to the outside of the head to emulate a real vellum, but unlike the vellum, the fibre head is not affected by humidity.
d) Calf or goat skin vellum The vellum will give the traditional full bodied “mellow” sound, but remember that a vellum is affected by humidity and temperature. You can experiment with different heads and different head tensions to find your desired “personal” sound but remember, any adjustment on head tension will affect the height of the strings in relationship to the fingerboard, as the bridge moves with the head All the above heads and vellums are stock items at Eagle Music.

Bridge, how does it affect the sound of my banjo?

The bridge The bridge can alter the tone and the volume of your banjo. If you change your bridge from 1/2” to 5/8” you will get more volume. Don’t forget that this might, depending on your instrument, make the “action” (that is the distance you have to push the strings down to the frets) higher and more difficult. If you sand a bridge to give less area contact with the head, the tone will be “snappier”. You can also taper the bridge from the bass to the treble end to try to eliminate unwanted overtones and harmonics. Compensated 5 string bridges are also available. Maple and ebony bridges are supplied in various heights, also with bone inserts for a clearer sound. Remember, the bridge must be positioned on the head the same distance from the 12th fret as the 12th fret is from the nut. The bridge can be slightly angled to compensate for the heavier fourth string on a tenor or plectrum banjo, the distance at the fourth string thus being slightly greater than at the first string.

Tailpiece, how does this affect the sound?

The tailpiece The tailpiece plays a very important role in the tone and volume of your banjo. Its prime function is to anchor your strings. Its secondary function is to angle your strings to exert maximum pressure on the bridge in order that the bridge transmits sound into the banjo head. Adjustable “clam shell”, “Scruggs” type, “Kershner and “Nashville” types are available. Please enquire for prices.

Resonator, what is it’s function?

The resonator If you fit a resonator to your banjo, it will have more volume and will project the sound forward. Without a resonator, your banjo will be quieter and sound more mellow. A “frailing” banjo would not have a resonator.

Armrest, do I need one?

How can the arm rest affect the tone of a banjo? If an arm rest is fitted to your banjo, it can keep your arm from deadening the movement of the head, which could lower the potential volume of your instrument; also, it can he adjusted to alter the angle and position that you “attack” your strings, which brings in the… strings.

Strings, what type should I use?

Strings come in many different grades, materials and gauges, each of which gives a different sound and “feel” to your banjo. Experiment with all aspects to find your preferred tone and volume, but remember this brief note: thinner steel and nickel for more “clang” and “twang”, heavier wound bronze or phosphor bronze for a “warmer” sound with more body. Note that custom gauge sets can be made up at no extra cost Last but not least, the position that you strike your strings, what you strike them with and the pressure that YOU can exert accounts for much of your banjo’s tone and volume.

Plectrums, picks, The choice is yours

Plectrums, picks etc If you are a plectrum player, experiment with different shapes, thicknesses and materials. The nylon picks give a softer sound, the harder the pick the “chunkier” the sound. Remember this brief note: the closer you pick to the bridge, the harder the sound. The further you pick from the bridge, the mellower the sound. The “old masters” prefer to use a tortoise shell plectrum: I prefer to see the shells on the backs of the tortoises! Fingerpicks and thumbpicks likewise come in all shapes and forms. Again, experiment, although you don’t have as much choice as you have with plectra. Bluegrass players go for metal fingerpicks for attack and volume.

Vellum, how do I fit a new one?

Please note – these instructions apply to natural skin vellums only! Fitting a plastic head is much simpler. Basically, all you need to make sure of when fitting a plastic head is that you apply equal tension gradually, all round the circumference of the head, tightening up hooks evenly and symmetrically.

Fitting a Natural Skin ‘Banjo Vellum’.

When the time comes to fit a new vellum, it is also a good time to clean all the metal parts of your banjo and remove all grime and dust from the inside of the banjo rim! (The ‘rim’ is sometimes called the hoop) Vellums (Sometimes called ‘banjo heads’ or skins) are available at Eagle Music Shop in different qualities and types. Calf skin and goat skins are the most popular …natural white calf skins are the most expensive. Order a skin that is larger in diameter than the banjo rim, normally 30mm excess all around is sufficient, this allowance is for pulling around the flesh band (sometimes called the vellum wire), and gives you some leeway for cutting off and finishing the job neatly on the inside of the bezel (sometimes called the stretcher band or hoop).

Firstly study how your banjo ‘pot’ (The pot is the whole assembly) is assembled (If you have a camera, take some photos to remind you later) note the position of the bezel in relation to the neck, tailpiece and rim. (Banjo parts can be distorted and ‘out of round’ from years of use or abuse!).

Remove the strings from your banjo and commence to strip down the ‘pot’. Keep all the tensioning hooks (Sometimes called brackets or ‘J’ hooks) and nuts as they are matched (This makes it easier to assemble later, as threads can differ from one hook to another)
Take some time out here to clean all the metal parts …Take care with plated parts, and do not use abrasives on gold or thin nickel plating.

Now is the fun part …To Mount Your New Vellum on The Flesh Band/Vellum Wire
Study the new vellum and note which is the ‘face’ and which is the ‘back’. The ‘face’ is normally smooth and the ‘back’ is normally rough. This is very important, as I have seen a fair number of vellums fitted the wrong way around!

Have a large clean towel at the ready, laid out on a flat area …Fill a large clean bowl with fresh clean cold water. Immerse the vellum completely in the bowl of water and leave until the vellum is supple, this normally takes about ten minutes depending on the thickness of the vellum. Remove the vellum from the water and shake off the excess water, place the vellum ‘face’ side up on the flat towel. Visually check that there are no wrinkles in the vellum and feel that the vellum is supple. Place the ‘flesh band’ (Sometimes called the vellum wire) central on the vellum leaving an equal amount of surplus skin around the edges. Holding the bezel above the ‘flesh band’, start to fold the surplus skin up and around the outside of the ‘flesh band’ and at the same time folding and tucking it inside the bezel and working in a circle motion around the whole circumference of the bezel. Visually check all around the vellum for evenness.

Now working with the hoop on your banjo…evenly spaced around your banjo’s hoop, fit half a dozen of your banjo’s tension hooks and nuts. Ensure that they are loosely fitted and ready to accept your new vellum. Now place your new vellum, flesh band and bezel assembly onto your banjo hoop. Here you can note if your bezel has a weld joint and position this to be hidden underneath your tailpiece. Position the vellum assembly carefully and evenly around the hoop and locate the six tension hooks in position …do not over tighten the tension hooks at this stage but visually check that they are evenly pulling down on the vellum. Seeing that no folds or wrinkles appear …ease the vellum up and under the bezel and ensure that there are no overlaps or folds as it passes over the ‘flesh band’. Gently press down in the centre of the vellum to give a little ‘slack’ in the vellum for later tensioning after the vellum has dried. Visually check again that the bezel is pulling down even and gently tighten the six tension hooks to leave the bezel slightly higher than the face of the vellum …The bezel will be tightened down to it’s final position when the banjo is assembled before being finally ‘set up’ for playing. Have a last final check that the vellum is evenly stretched and that there are no wrinkles or folds evident.

Now lay the whole pot assembly on one side in a clean dry position, in a cool dry room. Under no circumstances should you use a ‘hair dryer’ or any form of heat to speed up the drying process. Leave for at least twenty four hours, best to leave even longer to ensure that the whole of the new vellum is dry. Please Note: The part of the vellum under the bezel will take much longer to dry than the face of the vellum, so don’t rush the process when you ‘feel’ that the face of the vellum is dry!

After a day or so, remove the vellum from the hoop by undoing the six fitted tension hooks. Leave the vellum ‘off’ the hoop for a further few hours, this will allow the mating parts to further dry out. The vellum should not feel ‘tacky’ and should not stick to the hoop. If you try to fit a vellum that is not completely dry, you can cause distortion of the vellum or even cause it to split. When you are quite sure that the vellum is completely dry, this is the time to finish off the vellum by trimming the excess skin from the inside of the bezel. Use a sharp ‘Stanley’ type knife for this process, it is also good practise to protect the face of the vellum with a thin piece of card or plastic (a piece of old banjo head is ideal for this purpose) as you work around the circumference of the bezel.

Now to Fit Your New Vellum to Your Banjo Rim

Sprinkle some French chalk on the inside of the vellum in the area where it locates with the rim, and shake of the excess before offering it to the rim. Note the orientation of the bezel and place any welding joints in position so that the tailpiece will cover the join. Fit all tensioning hooks and nuts until finger tight. Working diagonally and evenly, tension each hook and nut so that the bezel pulls the vellum down evenly. ‘Correct’ vellum tension is a personal choice. However, the vellum needs to be tight enough so that when pressed with your thumbs, you feel a reasonable tension and no sign of ‘sagginess’. Experience will teach you how tight your vellum needs to be. Please do not hesitate to contact our technical department at ‘Eagle Music Shop’ if you need more information.

Eagle Music define the Parts of the Banjo – Rim, Tailpiece, Tone Ring, Pot, Tension Hoop…

Banjo Parts Guide by Eagle Music Shop.

What is a Banjo Rim, Tailpiece, Banjo Tone Ring, Pot, Tension Hoop, Coordinating Rod, Banjo Vellum, head, Banjo Flange, Planetary Geared Tuners, Neck Truss Rod? All available to buy here at Eagle.

All these and more banjo parts are demystified and explained here by Deering and Eagle Music.

In the following notes, we shall use for example, the USA built Deering Banjo models to explain materials chosen for parts and general banjo build quality. You can also browse our full range of banjo parts and accessories.

The Banjo Rim or Pot

The rim is the circular wooden part that is the heart of your banjo, the banjo is built around this part. The ‘pot’ is the complete assembly of the parts fitted to the rim. A solid maple rim is the heart of any quality banjo. Maple has long been used to make banjo pots because of its fine grain, strength and bright clear tone on stringed instruments. The entire violin family instruments use maple for their backs and sides. All USA built Deering banjos have solid violin maple rims. Steinway and other quality brand pianos use maple for the pin blocks of their pianos. Bowling alleys are commonly made of maple for its hardness and durability.

Some far eastern made banjos have soft aluminium or plywood rims that do not have the sparkle, brightness or clarity of the USA built banjos.

The softer, porous wood does not have the hardness, fine grain structure or tone character of a musical quality hard wood like violin maple.
Steel and Aluminium Rims

Deering for example, uses a steel rim on the Boston series banjos. Tap on a disassembled aluminium rim and you hear a “clunk”. Tap on a disassembled Deering steel rim and it rings brightly, clearly and long. Soft aluminium has little or no musicality. It is a reasonable building material but has a poor musical tone.

The Banjo Head

The most popular banjo head size is 11” high crown. Types of heads: Top frosted, clear, fiberskyn, Kevlar, bottom frosted, black and Renaissance. Top frosted heads are brightest and crispest. Clear heads are bright with more sustain. Black shiny heads are mellow, warm and soft with more sustain. Fiberskyn heads are warm and plunky with less sustain. Bottom frosted heads have good sustain with nice bass response, not as bright as top frosted. Kevlar is snappy and responds a bit like an arch top banjo due to its stiffness and thickness. Heads can be used to achieve certain sounds and looks. Heads come in three crown heights (height of the playing surface above the head’s stretcher band (tension hoop …the rim around the edge of the head.) high, medium and low. High are medium are the most common and the easiest to find. For example, all Deering made banjos work with High and Medium crown heads.

The Tailpiece

Good quality banjos have adjustable tailpieces (except for many of the ‘‘old time ‘‘ banjos like the Deering Vega Old Time Wonder that has a ‘No-Knot’ small fixed tailpiece for traditional appearance and sound. The best adjustable tailpiece has no resonance of its own, it is better that it does not ring and interferes with the tone of the rim and tone ring. For example, all USA made Deering, Goodtime and Tenbrooks banjos have the excellent Deering adjustable tailpiece made of a non-resonant alloy.

The banjo tailpiece plays a very important role in the tone and volume of your banjo. Its prime function is to anchor your strings. Its secondary function is to angle your strings to exert maximum pressure on the bridge in order that the bridge transmits sound into the banjo head. Adjustable Waverley Style, Clam Shell, One hump and two hump,  Scruggs type, Kershner and Nashville types are all available from Eagle Music.

Bracket Shoes and Flanges

Deering Goodtime banjos have zinc alloy bracket shoes and Deering resonator banjos have zinc alloy resonator flanges that also do not interfere with the tone of the rim and tone ring. Zinc alloys are acoustically dead so these critically functional parts do their job helping support the head tension, without infusing any un-wanted and interfering sounds to the banjo.

Brackets and Nuts

These parts must be made of steel for strength and durability and have consistent threading to make adjustments accurate and controllable. These parts are “isolated” from the rim by the zinc flange or bracket shoes and also by the banjo head that is held in place by the tension hoop (or stretcher band as it is sometimes called). which is also isolated by the stretched head.

The Tension Hoop / Stretcher Band

The Tension Hoop or Stretcher Band as they are also called is the banjo part that is pulled down by the adjustment of the tension hooks, in effect it holds your banjo head in place.
tension hoops can have notches in them marry up to round tension hooks and tension hoops that are plain or have a circular groove marry up to flat tension hooks.
Top end Deering Banjo tension hoops, are made from brass or steel and are notched to match round tension hooks. The Deering Goodtime tension hoops are made from steel and match up to flat tension hooks. Both are isolated from sound interference by the banjo head.

The Coordinator Rod(s)

These rods need to be solid, and made of a strong yet non-interfering alloy. It is a myth to think that banjos need ‘two’ coordinating rods …It all depends on the design and stability of the particular  banjo. eg. some Eastern built banjos need two coordinating rods because they are often built around a thin plywood rim. A quality banjo built around a three ply solid maple rim is quite stable with one coordinating rod.

All Deering, Goodtime, Vega and Tenbrooks banjos have solid rods made of a non-interfering alloy. Many traditional banjos have brass rods which is a traditional metal used for this part. However, on some banjos this can interfere with the tone.

The Tone Ring

Tone rings come in many designs and are made from many types of alloy. Some banjos do not have a tone ring but stretch the head over the wood or metal rim. Bluegrass style banjos (like the Deering Sierra) have a bell bronze tone ring that weighs 2-3 pounds and is precisely fitted to a three ply violin maple rim. Historically, Maple is the most accepted rim material in banjo building.

Old time music banjos are commonly open back, with tone rings made of brass and the tone rings are lighter in weight. Some entry level banjos have steel tone rings that have a bright, responsive sound and feel. Many Eastern banjos advertise a “bluegrass style tone ring” but don’t tell you what kind of metal they are made from. Most of these are “pot metal” or zinc alloy, which, while appropriate for a flange or shoe, is inferior in tone to the USA built tone rings. Even the Eastern banjos with “brass” tone rings can have cheap die cast tone rings that do not have the correct grain structure or alloy for the best musical vibration and yet these banjos can sometimes cost as much as a good American made banjo.

Banjo Pot

This term refers to the rim with all the parts that are assembled around it.

The Neck

The shape: Though a good feel of a neck is subjective, the neck must “feel” good to the player. It must make the strings feel easy to push down with as little effort as possible. Generally, thick, bulky, poorly shaped necks can be found on some far Eastern banjos and are more difficult to play. However, thickness alone, does not make a neck feel bad or “great”. The “great” feeling neck has subtle shape characteristics that are difficult to put in words, but instantly discernible by the human hand. Certain curves, slopes and shapes, when artistically combined are comfortable. Neck shapes have been developed to a shape that has optimum playability by the great American banjo companies like Deering.
The material: Mahogany and Maple are the two most popular banjo neck woods currently in use. Walnut, Koa and Rosewood are also used but not quite as popular. Far Eastern banjos often use terms like “Mahogany stained hardwood” to include the word “mahogany” to mask what wood is actually being used.

Tuning Machines – Banjo Pegs

The best tuning machines are geared for smooth, easy tuning. Some inexpensive banjos have friction pegs that are difficult to tune and frustrating for the novice player. Tuning machines with buttons that stick out to the side of the peghead are usually referred to as “guitar style” tuners. The standard Deering Goodtime range has “guitar style” tuners and the Deering Leader Goodtime range has  “planetary style” tuning machines …“Planetary style” tuning machines are precision geared tuning machines that stick straight back from the peghead. The term planetary refers to the arrangement of the gears in the tuner that surround other gears much like the formation of the planets in the solar system.

Truss Rod

The truss rod in the neck of a banjo controls the  ‘‘relief ‘‘ or subtle curvature of a banjo neck and helps counteract the pressure of the strings to help prevent warping and twisting. An adjustable truss rod can be used to change the “playability” of a neck by allowing the neck to curve a little more or by flattening the neck out a bit more. Players with a hard attack generally need a little more “relief” in the neck and players with a lighter touch generally like a slightly flatter neck.

Many vintage banjos and some are built today without truss rods in their necks. The selection of timber and the way they are built is critical to guarantee a stable neck that will give the correct relief and not warp, this can be said for the excellent Deering Goodtime range of banjos that have a selected maple neck.

The Nut

The top nut is usually made of a hard material like, bone, ebony, mother of pearl, Formica or other synthetic material and guides the strings through slots  over the fingerboard so they are separated evenly and in correct relationship to the width of the fingerboard. The nut is  ‘cut ‘ to a depth for the strings to give the best  ‘‘action ‘‘ in the first position.

The Position Markers / Inlays

The dots or other inlays are used as reference points on the fingerboard to tell the player at what frets certain notes are found. Dots and fancy inlays are the same in function but only different in cosmetic appeal. Side  ‘position’ dot markers are found on the side of the neck on some banjos.

The Frets

Frets are usually made of nickel silver and are either pressed into the fingerboard or pressed and glued in. They are shaped sort of like a round topped  ‘T ‘ with tiny barbs on the tang to grip the fingerboard slots they are pressed into. Frets can be jumbo or narrow as found on vintage banjos. Some higher end custom banjos have stainless steel frets.

Arm Rest – Different Types and How They fit

The prime aim of the banjo armrest is to give the player comfort on the wrist/arm of the picking hand. There are many different designs and styles of armrests. Most banjo arm rests are designed to fit on banjos in relation to the number of tension hooks (sometimes called brackets) on the banjo.

The traditional Gibson type flat armrest can have one or two brackets for fixing it to your banjo. These brackets are spaced to span over the tension hooks on your banjo. The brackets on the armrest have a flat metal bar that positions behind two tension hooks and clamps to the tension hooks via a hexagon screw that when adjusted pulls the bracket tight against the hooks. The Deering banjo armrest is similar to the original Gibson style arm rest.

Some armrests are versatile and will fit on banjos that have 18 or 24 tension hooks, whilst others are designed purely to fit a specific number of tension hooks.

The old Vega style ‘Wire’ armrest that can be bought from Eagle Music is very versatile in that it will fit OPEN BACK banjos that have any number of tension hooks from 12 to 34.

Banjo sound and volume

Fitting an armrest can also affect the tone of a banjo in that it can restrict your arm from resting on the banjo head and deadening the movement of the head. Any body contact (arm, hand fingers) with your banjo head will lower the volume  of your banjo.
Most armrests can be adjusted for height to give the player the optimum position for your style of playing. All players have a different way that they ‘attack’ their strings.

Please call us to ask which arm rest is suitable for your banjo.

THE BRIDGE and Its Function

The banjo bridge does exactly as its name suggests …it forms a bridge for the strings to pass over the banjo head and transmits sound from your strings into the banjo head. Bridges are available in different heights and they are measured in imperial measurement …The most popular three heights being 1/2”, 5/8” and 11/16”The most popular bridges are made from AAA grade  maple with an ebony top. Some bridges have inserts made from bone or plastic to help give a brighter tone.

Tone, Volume and Action

Changing your bridge will alter and affect the tone and volume of your banjo …it may also alter the ‘action’ of your banjo! (The ‘action’ is the distance that your strings are from the frets of your instrument …Your strings will be easier to press down when you have a ‘low’ action. However, the ‘action’ should not be set so low that you get ‘fret buzz’)
In general the simple rule is: Low Bridge = Low Volume High bridge = More Volume.
5/8” is the optimum and most popular bridge height.
Note: Some novice players think that the height of the bridge is for setting the ‘action’ of their banjo …this is not the case! The action is set by adjusting the ‘neck angle’ on a banjo.
However, in some cases where the banjo neck angle cannot be adjusted that only way to change the action of the banjo is to alter the height of the bridge.

Banjo Intonation

The intonation of your banjo is affected by the position of your bridge. The rule is that the bridge is positioned on the banjo head twice the distance of the measurement from the inside of the nut to the 12th fret. On a 5-string banjo the bridge is generally positioned square, but on tenor and plectrum banjos it helps intonation to set the bridge at a slight angle giving the heavier gauge fourth string a greater distance than the thinner plain first string. The bridge should sit flat and square making full contact with the banjo head.

Shape of Banjo Bridges

You can buy ‘Off the shelf’ Compensated 5 string bridges, some of which compensate the length of all the five strings and others that only compensate the length of the third string.
Modifications to the shape of a bridge can alter the sound of your banjo eg. if you ‘thin’ your bridge by sanding it, this will give your bridge lesser contact with your banjo head and the result will be a brighter ‘snappier’ tone …many plectrum banjo and uke banjo players do this.
Unwanted harmonics and overtones can ‘sometimes’ be suppressed by sanding the bridge thinner towards the treble end.

Resonators

If you fit a resonator to your banjo, it will have more volume and will project the sound forward. Without a resonator, your banjo will be quieter and sound more mellow because your body and clothing will soak up some of the sound that is produced. A “frailing” banjo would not have a resonator.

The Banjo Head, Vellum or Skin (As it may Be Called) – a guide by Eagle Music

Banjo Heads, Frosted Top, Mylar, Fiberskyn, Renaissance, Remo, Calf Skin all explained by Eagle Music

For simplification we shall refer to it as the BANJO HEAD. There are many types of Banjo Heads in differing materials and finishes. The most popular modern banjo head is the mylar type plastic head. This head is supplied in different finishes/coatings, each of which gives the banjo a different sound. The banjo head is tensioned like a drum and gives a different sound to the banjo throughout its tension range. In general a slack head is plunky with more depth of tone, whilst a tight head is brighter with a sharper tone. The choice of banjo head and the tension that you apply will influence your banjo’s tone and volume level.

Clear plastic

This uncoated head will give a loud, bright thinner sound but with excellent sustain. A consideration when choosing this head is that you will be able to see directly into the ‘pot’ of your banjo exposing all the inside workings!

Smooth Top – Frosted Bottom

This head is popular with tenor and plectrum banjo players in that the smooth top of the head is not offensive to the brushing of the hand over the head, it is quieter when they strum their banjo and pass their hand or plectrum over the head in the process. The spray coated / frosted bottom gives good bass and more depth of tone than a clear head.

Frosted Top – Smooth Bottom

This head is the most popular with 5-string banjo players and is the first choice for most bluegrass banjos. The spray finished frosted top gives the banjo a crisp bright tone with good depth and distinct note separation, not too much sustain and overtones. The frosting also helps to anchor the bridge in place and gives extra stability to the player that rests one or two fingers of his or her picking hand on the head. Another little tip if you don’t like the feel of the frosted top around the areas where your hand touches the head, and one that I do myself, is to lightly sand the head with a piece of smoothish grade (350) wet and dry.

Fiberskyn

This head has fibres sprayed onto the top of the head, which also gives it a look of a natural skin vellum. This thicker finished head has a quieter, warm and rounder ‘plunkier’ sound that is favoured by old time, clawhammer and frailing players. Unlike a natural vellum, the Fiberskyn head is not affected by damp weather and humidity.

Renaissance

This head has a smooth opaque top with an attractive honey colour. This head will give your banjo a clear bright tone with excellent quality of depth and sustain.

Black

This thicker head gives a mellow tone with lots of depth (bass response) and excellent sustain.

Natural Calf Skin or Goat Skin Vellum

The natural vellum is the traditional banjo head that was the only one available head during the late 1800s and early 1900s. The natural vellum has a warm, mellow full bodied banjo sound, the down side being that it is considerably affected by temperature and humidity! On a warm day the head tightens, on a damp day the head slackens, all this affects the action of your banjo, so you have to consider the following when experimenting with different banjo heads. If you tighten your head it will raise your action because the banjo ‘Bridge’ will move with the head, and likewise if you slacken your banjo head your action will lower.

Also See our Technical Notes Fitting a Natural Skin Banjo Vellum.

How to fit a Natural Skin Banjo Vellum – a guide by Eagle Music

How to fit a natural calf or goat skin vellum to your banjo.

When the time comes to fit a new vellum, it is also a good time to clean all the metal parts of your banjo and remove all grime and dust from the inside of the banjo rim! (The ‘rim’ is sometimes called the hoop) Vellums (Sometimes called ‘banjo heads’ or skins) are available at Eagle Music Shop in different qualities and types. Calf skin and goat skins are the most popular. Natural white calf skins are the most expensive. Order a skin that is larger in diameter than the banjo rim, normally 30mm excess all around is sufficient, this allowance is for pulling around the flesh band (sometimes called the vellum wire), and gives you some leeway for cutting off and finishing the job neatly on the inside of the bezel (sometimes called the stretcher band or hoop).

Firstly study how your banjo ‘pot’ (The pot is the whole assembly) is assembled (If you have a camera, take some photos to remind you later) note the position of the bezel in relation to the neck, tailpiece and rim. (Banjo parts can be distorted and ‘out of round’ from years of use or abuse!).

Remove the strings from your banjo and commence to strip down the ‘pot’. Keep all the tensioning hooks (Sometimes called brackets or ‘J’ hooks) and nuts as they are matched (This makes it easier to assemble later, as threads can differ from one hook to another)
Take some time out here to clean all the metal parts. Please Note: Take care with plated parts, and do not use abrasives on gold or thin nickel plating.

Now is the fun part, To Mount Your New Vellum on The Flesh Band/Vellum Wire.

Study the new vellum and note which is the ‘face’ and which is the ‘back’. The ‘face’ is normally smooth and the ‘back’ is normally rough. This is very important, as I have seen a fair number of vellums fitted the wrong way around!

Have a large clean towel at the ready, laid out on a flat area. Fill a large clean bowl with fresh clean cold water. Immerse the vellum completely in the bowl of water and leave until the vellum is supple, this normally takes about ten minutes depending on the thickness of the vellum. Remove the vellum from the water and shake off the excess water, place the vellum ‘face’ side up on the flat towel. Visually check that there are no wrinkles in the vellum and feel that the vellum is supple. Place the ‘flesh band’ (Sometimes called the vellum wire) central on the vellum leaving an equal amount of surplus skin around the edges. Holding the bezel above the ‘flesh band’, start to fold the surplus skin up and around the outside of the ‘flesh band’ and at the same time folding and tucking it inside the bezel and working in a circle motion around the whole circumference of the bezel. Visually check all around the vellum for evenness.

Now working with the hoop on your banjo, evenly spaced around your banjo’s hoop, fit half a dozen of your banjo’s tension hooks and nuts. Ensure that they are loosely fitted and ready to accept your new vellum. Now place your new vellum, flesh band and bezel assembly onto your banjo hoop. Here you can note if your bezel has a weld joint and position this to be hidden underneath your tailpiece. Position the vellum assembly carefully and evenly around the hoop and locate the six tension hooks in position. Note: do not over tighten the tension hooks at this stage but visually check that they are evenly pulling down on the vellum. Seeing that no folds or wrinkles appear and ease the vellum up and under the bezel and ensure that there are no overlaps or folds as it passes over the ‘flesh band’. Gently press down in the centre of the vellum to give a little ‘slack’ in the vellum for later tensioning after the vellum has dried. Visually check again that the bezel is pulling down even and gently tighten the six tension hooks to leave the bezel slightly higher than the face of the vellum. The bezel will be tightened down to it’s final position when the banjo is assembled before being finally ‘set up’ for playing. Have a last final check that the vellum is evenly stretched and that there are no wrinkles or folds evident.

Now lay the whole pot assembly on one side in a clean dry position, in a cool dry room. Under no circumstances should you use a ‘hair dryer’ or any form of heat to speed up the drying process. Leave for at least twenty four hours, best to leave even longer to ensure that the whole of the new vellum is dry. Please Note: The part of the vellum under the bezel will take much longer to dry than the face of the vellum, so don’t rush the process when you ‘feel’ that the face of the vellum is dry!

After a day or so, remove the vellum from the hoop by undoing the six fitted tension hooks. Leave the vellum ‘off’ the hoop for a further few hours, this will allow the mating parts to further dry out. The vellum should not feel ‘tacky’ and should not stick to the hoop. If you try to fit a vellum that is not completely dry, you can cause distortion of the vellum or even cause it to split. When you are quite sure that the vellum is completely dry, this is the time to finish off the vellum by trimming the excess skin from the inside of the bezel. Use a sharp ‘Stanley’ type knife for this process, it is also good practise to protect the face of the vellum with a thin piece of card or plastic (a piece of old banjo head is ideal for this purpose) as you work around the circumference of the bezel.

Now to Fit Your New Vellum to Your Banjo Rim

Sprinkle some French chalk on the inside of the vellum in the area where it locates with the rim, and shake of the excess before offering it to the rim. Note the orientation of the bezel and place any welding joints in position so that the tailpiece will cover the join. Fit all tensioning hooks and nuts until finger tight. Working diagonally and evenly, tension each hook and nut so that the bezel pulls the vellum down evenly. Correct vellum tension is a personal choice. However, the vellum needs to be tight enough so that when pressed with your thumbs, you feel a reasonable tension and no sign of ‘sagginess’.

Experience will teach you how tight your vellum needs to be. Please do not hesitate to contact our technical department at Eagle Music Shop if you need more information. Tel:01484 661460

Changing the strings on your Banjo, Mandolin, Guitar, Ukulele etc – advice from Eagle Music

Eagle Music explains here all the do’s and don’ts when fitting a new set of strings to your instrument. It is important that you understand that the weight, size and tension of your strings affects the set-up and action of your instrument.

First, I offer you this simple advice, invest in a string winder. A string winder will take all the work out of string changing and as an added bonus it will speed up the process! I insist that string winders are used at all times in our workshop, this ensures that our customers get a lower priced bill when it comes to the cost of paying for workshop time!

In the following notes, I shall assume that you are a right handed person, and that you are going to change the strings and then tune your instrument to standard tuning. The string set that we are using in the example is our most popular standard Eagle-Puretone set as follows, 1st also referred to as the ‘top’ -string is the furthest away from your chin when holding your instrument in the playing position. (If your instrument is part of the mandolin family, you will have a pair of 1st strings) The ‘bottom string’ is the string that is nearest your chin.

The string numbers eg.’9’ or ‘12’ refer to the diameter of the strings and they are measured in imperial measurement, which is used by the USA manufacturers (Not Metric) a ‘9’ for example measures .009” (which is nine thousandth’s of an inch in diameter)

Also take note before changing your strings what gauge of string set is already on your instrument, if your instrument is correctly set-up, the nut will have been cut to suit the gauge of strings that are already on your instrument. Changing up to heavier strings, without having your top nut cut to suit, can cause the thicker strings to bind in the nut. Slight binding can be cured by rubbing a little graphite into the slot (an HB graphite pencil or softer is fine)

Remove your Old strings

Please Note: Your instrument is ‘SET UP’ under tension, so it is a good idea when string changing, not to take all your strings off at the same time. Change one at a time. Slacken off your 1st string and unwind it from the capstan/pillar on your tuning peg, then remove the string from the tailpiece or bridge saddle.

Attach the new string to the tailpiece or bridge saddle, note from the remaining old strings that are still on your instrument, how the strings fit to your tailpiece or bridge. For example: Tailpieces on banjos come in many designs and on some tailpieces the string lays across the top/front of the tailpiece.

Hold some tension on the string to keep it attached to the tailpiece/bridge, as you lay it along your fingerboard and feed it through the hole in the pillar on your tuning peg, pull the string through the pillar with your left hand until there is no ‘slack’ on the string. Keep tension on the string with your left hand. Some of this excess that is now pulled through your pillar will be ‘cut off’ when you have tuned the string to its correct pitch.

At this stage you need to give yourself some ‘slack’ on the string, this ‘slack’ will allow you to put at last three turns around the pillar/capstan on your tuning peg. To do this, keep hold of the string with your left hand pull tension on the string. Then place your right hand index, middle and ring fingers behind the string near the pillar with the back of your fingers touching the instrument and ‘clamp’ the string against your fingers with your right hand thumb. Still holding tension on the string with your left hand, transfer your grip to hold the tension of the string now with your right hand.

Turn your right hand approximately ninety degrees with your index finger remaining in contact with your instrument, this action will pull some ‘slack’ back through the pillar. At this point ‘kink’ the string to ‘dog-leg’ the string as it enters and leaves the hole in the pillar, now in the same motion wind the string around the pillar to take up some of the ‘slack’ that you are holding in your right hand. Note the direction that the string winds around the pillar. It will be wound in the same direction as the old SECOND string that is still attached to your instrument. (Anti clockwise, assuming that the old string was fitted correctly!)

Tuning the 1st String

Carrying on from iii. above and still holding tension on the string with your right hand to keep it attached to the tailpiece, move you left hand to the tuning peg button and start to wind tension onto the string. At this point note that the string is located in its groove in the nut of your instrument, also that you are turning the tuning peg in the correct direction …you can see the pillar rotating as you wind the tuner peg. Carry on turning the tuner button until you take up all the ‘slack’ from your right hand. Then continue to ‘tune’ the 1st string to pitch. A clip-on electronic tuner is very useful for this operation, also to speed up the operation, use of a ‘string winder’ which is very helpful. At this stage you can ‘cut off’ the excess from the string …always tune your string BEFORE cutting off the excess. A small pair of wire cutters is a handy tool to have in your instrument bag, or you may want to invest in a state-of-the-art ‘string speed winder’ that has a pair of clippers on the end of the winder. For neatness, clip the string close to the pillar leaving approximately 6mm (¼”) Angle the remaining part of the string towards the neck face to avoid spiking yourself, but ensure that it does not touch the face of the neck which can scratch the finish when it is being wound.

Fitting and Tuning the 2nd, 3rd 4th etc. Strings

Fit the 2nd string using the same method as the first string and tune it to pitch. Fit the 3rd string in a similar way and tune it to pitch. Note that it winds around the pillar in the correct direction. Then fit the wound 4th string and tune it to pitch. Note also that the fourth string winds around the pillar in the correct direction. Carry on with the remainder of your strings with the same method. NOTE: NEVER cut the excess off a wound string before it is tuned to pitch, doing so can cause the string to unwind and loosen it’s winding along the length of the string.

5-string Banjos Only:-

Fitting and tuning the 5th or Octave String

The fifth or ‘octave’ string is attached to the tailpiece in the same manner as your other four strings, but it will have a guide on the neck of your banjo, it may also have a plastic ‘sleeve’ that fits onto the string to protect the side of your banjo neck. Take note of such things when you remove your old 5th string. Again ensure that you give it enough ‘slack’ when fitting to allow at least three turns around the pillar of the tuner button. The fifth string is tuned to high ‘G’ which is an octave above your 3rd ‘G’ string.

I have written these notes as simply as I could to help the beginner. I have tried my best to write down and explain the way that I change my own instrument strings! String changing is very much a ‘knack’ and I am certain that you will develop your own ‘knack’ of changing your strings based on the above notes.